Interview with Professor Awesome: Annotated

I had a rollicking good time talking with Professor Richard Scott Nokes over Skype on December 8th, 2018.

After finishing the interview, I realized that I had forgotten to bring up a few things I wanted to mention. I gave a lot of advice on the writing process and thought hyperlinks might be helpful for those interested in following up on them.

One aspect of the interview that makes this a little out of the ordinary was the time spent getting the tech stuff working.  We spent over half an hour trying to get the Skype application to record. After several failed attempts, Professor Nokes got it working. He started to record, but I didn't see the banner at the top indicating it was recording. I didn't want us to begin talking in earnest and have to start all over again.

I mention this because that mistake on my part is the first half minute of the video. After we stopped talking Professor Nokes spent about an hour editing the raw footage and uploaded the unedited raw footage. D'oh!

What you really missed was the cool introductory musical theme song that precedes his interviews. To get you in the proper mood, here is the music you should hear before his interviews:

 

And here is a re-posting of the interview with time stamps of my annotations.

At 2:04 I mention that my series is based on the legends of Charlemagne that were told and retold in the south of France and north of Italy for several centuries. For those interested in learning more, Fordham University has a website dedicated to those legends.

2:55 I mention one of the most famous contributions to the legends of Charlemagne, The Song of Roland or La Chanson de Roland. Here is a link to Fordham University's online translation and a link to Amazon.com's trade paperback version.

3:50 I show my copies of Barbara Reynolds' translations of Orlando furioso. Here are links to those copies on Amazon.com Part One and Part Two.  Those books are my preferred version of this epic poem. They are in verse and there is a lot of white space, so I find it easier to read. Guido Waldman has a one volume version, and it is written in prose. I find it difficult to read because the font is so small, and there is little white space. Here is a link to his version on Amazon.com

A free online version by Project Gutenberg can be found at this link. A fair bit of warning though. This is the William Stewart Rose translation. I started reading this epic poem by printing out a few cantos of this version and found it utterly confusing. Later, once I read the versions by both Reynolds and Waldman, I went back and checked a few choice passages. Rose refused to translate some of the bawdier ones. Bummer.

(As a side note: I do not recommend the latest translation of Orlando furioso by David R. Slavitt. That is because his publisher heavily abridged his work and deleted numerous cantos that cover the Bradamante and Ruggiero story. I disagree with the editorial decision to cut my favorite storyline from the poem, and so I cannot recommend that version. )

5:50 Professor Awesome asks me to define Saracen. Here is a link to one online definition from the Online Etymology Dictionary.

I use Saracen in my title as one of the magic terms that helps to conjure the genre, time period and meaning of the novel in as few words as possible. Fate is reminiscent of the Oracle of Delphi and those in Greek mythology trying to change their destinies. Saracen is a term that went out of use after the Medieval period. Knight is also a Medieval term used in regard to war and chivalry.

Together the three terms should help readers know this is an epic historic fantasy set in the Medieval period.

8:50 I show my copy of Orlando innamorato by Matteo Maria Boiardo, translated by Charles Stanley Ross. This is the full unabridged version by Parlor Press. Here is a link to Amazon.com's trade paperpack.

Warning: there is a previous edition by Ross that was abridged and did not include Book III of Boiardo's tale. Bradamante and Ruggiero meet in Book III, Canto iv. I was disappointed after finishing that abridged version to realize that it did not include the scene that I most wanted to read.

10:00 Discussion about fantasy elements in realistic settings.  I realize in retrospect, I didn't really answer Professor Awesome's questions about this aspect of my story.

I agree that it is difficult to strike a balance between fantasy and realism. I am retelling a story about a war that never took place between the North African Muslim army and Charlemagne's Frankish army. My goal was to make the setting feel like Medieval Europe (and North Africa) that would include historically accurate details about Roman artifacts, cultural beliefs, religious restrictions, etc. And then, there is magic, but few have the ability to cast magical spells. They are: Atallah, Melissa, and Maugis. Aistulf was given a magical book which has allowed him to cast some spells, but he is not a wizard.

For the most part, the characters live in a realistic and non-magical world, but there are times when flights of fancy come into play. The flights of the hippogriff is the most notable.

Orlando furioso included iconic visits to the Underworld and the flight to the moon by Aistulf. I had to include them, but I wanted more realism in the storyline to at least help me to "buy the premise." I feel that if I can't buy it, I can't sell it.

22:15  I mentioned writing a Master's Thesis. For anyone interested in it, here's a link to Sonoma State University's library copy of The Cultural Evolution of the Cave Man.

And here is a link to the Fifth year Harry Potter Fic that I wrote back in 2003.  It won the Readers' Choice Award for novel length story on the now defunct website Portkey.org

24:30 Question about how to begin becoming a writer.

25:15 My answer: find a writers group or club. I mentioned the California Writers Club.  My branch of that statewide organization is Redwood Writers.

Here are links to other writers groups that focus on genre fiction:
Romance Writers of America. 
Sisters in Crime.
Historical Novel Society.
Science Fiction and Fantasy Writers of America


27:00  I mentioned the challenges of getting the Point of View or POV correct. To give a little more information here is one article about the differences in POV choices. Here is a link to an article about POV violations.

And here is where my annotation, really takes off. There are many other aspects of the craft of writing that I learned over the years from belonging to my writers club. My branch has had workshops about various topic as well as talks at our monthly meetings or sessions in writers conferences. Each one of these topics is worthy of extensive blog posts or entire books.

Here are two books that I recommend:

David Corbett's book: The Art of Character 
Jordan E. Rosenfeld's book Make a Scene

Other topics that perhaps I should try to expand on as topics in the future include:

Compelling dialogue
Pacing
Plotting
Establishing setting


***One thing that I meant to bring up in my discussion with Professor Awesome, but forgot are the sheets of paper affixed with blue painters tape to the wall behind me. Those are the months of June, July, August and September of the year 802. That was one way for me to determine when different plot events took place.

The calendar was found at www.timeanddate.com This also includes the phases of the moon.  I include that information in my story. If there's a mention of a full moon, I'm not making it up. And, if I have my characters do something outdoors at night and I don't want a full moon's worth of light - I will make it rain or overcast or foggy.

Using a calendar to structure your underlying plot will give backbone to your story. I recommend all writers have a beginning day and year in mind. Then establish your timeline of events accordingly to that date. It will help you to avoid continuity errors.

I had a friend whose manuscript I read as a critique group partner. Her novel had the climax of her story being on the Thanksgiving holiday. The problem was that she had not been as careful in planning the events as she should have been and she had two Wednesdays worth of chapters. There was a line where she stated it was Wednesday, but I knew it wasn't. That's because I ground myself on the days of the week and other nitpicky details. I then gave suggestions as to how she could move certain events to still make her climactic events happen on the day she wanted.

The use of a calendar to determine the dates of plot points is something I recommend every writer use.  

The calendars on my office wall are hard to see, but the events in the months of July and August
are written in pencil, because those already took place in Quest of the Warrior Maiden. Fate of the Saracen Knight takes place in the months of July and August. The different color Post-It notes represent different character POVs that are being represented in chapters or are background information for me to know who was where and doing what on that day. For example: blue is for Bradamante, dark orange is for Ruggiero, yellow is either Renaud or Aistulf, light orange is for Rodomont or Akramont.

I tend to write one action/adventure sequence before switching to a different character's action/adventure sequence. Later, to balance the work I will shuffle the chapters together. To achieve balance, I may have to switch the days of different plot points. Having those plot points on color coded Post-It notes helps me visually re-organize and balance my storyline.

Once I start working on Volume III, I will update those calendars and create new months. ***

 32:30 I couldn't remember the name of this website that is accessible to all writers wherever you are: Absolute Write online website. There is also Absolute Write Chat and forums.

Wattpad is another global forum for writers and readers.

So if you live in a rural area and/or cannot find any writers groups in your local area you can try one of those two online websites. Go schmooze, find like minded people and engage with them.

38:30 I recommended the book Audition: Everything an Actor Needs to Know to Get the Part by Michael Shurtleff. Oops. There are twelve guideposts for actors, I misspoke and said ten. Humor is Guidepost 4. Here is a small excerpt to demonstrate why I adore Shurtleff's book and his advice.

"Humor is not jokes. It is that attitude toward being alive without which you would long ago have jumped off the Fifty-ninth Street Bridge.

Humor is not being funny. It is the coin of exchange between human beings that makes it possible for us to get through the day. Humor exists even in the humorless.

There is humor in every scene, just as there is in every situation in life. There is humor in Chekhov (too seldom found) and even in Eugene O'Neill (virtually never found). When we say about a life situation, "And it's not funny, either," we are attempting to inject humor into a situation that lacks it. We try in life to put humor everywhere; if we didn't, we couldn't bear to live." - page 53

So yes, as writers, we need humor in our writing. Even if the only humor in a scene is gallows humor.

44:30 There was a mention of Medieval Conferences. I twice attended the International Congress on Medieval Studies at Western Michigan University in Kalamazoo, Michigan. I delivered papers about Carolingian legends and Ariosto. I will be delivering another paper in May 2019 in a session organized by the Société Rencesvals. My paper is titled "To Die For: Duels by knights in Orlando innamorato and Orlando furioso over swords, horses, heraldic symbols, and women."

I delivered the paper "Orlando furioso's archetypes and the twisting of expected plot conventions" at the 15th Triennial Congress of the International Courtly Literature Society in 2016. 
Here is the website for the International Courtly Literature Society North American Branch and to Academia.edu if you are interested in seeing my paper.


( I should at some point finish writing citations of the two papers I delivered at Kalamazoo and upload them to Academia.edu. One of my papers, "Ludovico Ariosto’s Legacy: Inspiring Countless Artists, Playwrights, Novelists, Filmmakers, and Puppet Theater" was filled with images and the challenge I have is finding good online sources for those images and then go through the cumbersome process of MLA citation. That shows my work ethic that I don't want to publish a paper online without my citations being in order. That will probably wait until some rainy day when I am procrastinating from doing other writing.)


I think that's all for now.

Here's a reminder that the both Quest of the Warrior Maiden and Fate of the Saracen Knight are discounted in the month of December. If you know someone who loves reading and would like to fill their physical or digital bookshelves, please send them the gift of reading. Or give yourself a gift and be transported back to the time of Charlemagne.

Cheers,

Linda
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Advice for newbie writers

The other day I received a ping on Facebook chat from one of my FB friends who wanted to ask me about how to go about getting published.

It is a common starting point question for those who have begun the process of writing a book. What do I do after I finish writing?

Well, before you finish your first draft, I recommend that you begin thinking of yourself as a writer.  Start using that term when you refer to yourself.  It is a psychological shift, but one you need to make in order to take yourself seriously as a writer.

You also need to work on your craft.  That means you must write all the time.  You must also read all the time.

Discover what you enjoy reading, and then write the kind of book that you would like to read.

Analyze your favorite books.  Tear them apart.  Dissect them.  Take copious notes. Discover the plot points, the subplots, the plot twists.  Think about the characterizations and settings.  Could the story be set in another place and time?  If so, how would it have changed the story?

Here are a few books on craft that will be thought provoking and help improve your storytelling ability:

Writing the Breakout Novel by Donald Maass
Fire in Fiction by Donald Maass
Make a Scene by Jordan Rosenfeld

Here is another book that I adore for understanding drama:

Audition:  Everything an Actor Needs to Know to Get the Part by Michael Shurtleff

Beyond working on your craft, you also need to start educating yourself about the business of publishing.  I recommend that you subscribe to two different daily electronic newsletters.

Publishers Lunch and Publishers Weekly Daily

You should also read industry blogs.  If you do not have a reader to help manage blog subscriptions, please remedy that today.  I use Google Reader and I have far too many blogs to comfortably follow, but I do scan them.  If you don't have a Google account, please get one.  It's free and easy to obtain.

Here is one agent's blog that I think is helpful:  Kristen Nelson.

Start there, check out her blogroll.  Try a few others, subscribe to ones you like.  Scour more blogrolls. Rinse, repeat.

You must also find a support network.  Try and find a writers club near you.  Check your Sunday newspaper to see if there are any listings for meetings in their author signings area.  Look in the advertisements in your papers for meetings.  Perhaps you have a writers club that meets that you've never heard of before.

Then again, maybe you'll have to dig a little deeper to find a writing community in your area.

You can also try and utilize a cyber community of writers.  Absolute Writer Water Cooler is a great place to start.

Getting feedback from fellow writers is essential.  Finding a good fit critique group is important in improving your writing skills.  It is helpful to not only hearing from others about what works and what doesn't work in your drafts, but by reviewing others' work you begin to develop stronger editing muscles by identifying strengths and flaws in someone else's writing.

I feel it is more important to find someone you have good chemistry with in your critique group than it is to find a group of same genre writers.

Now onto a word of caution: there are many who will try and take advantage of writers.  Please do not click on any links for "Publish your novel here" that you might see.  It is doubtful that you will be happy with the result.

You should check out a website called Preditors and Editors and familiarize yourself with the various scams that are done to unsuspecting writers.

A companion blog that is entitled:  Writer Beware Blogs!

Another tip is to find a good adhesive to secure your backside to your desk chair or as some of my friends call it:  Butt Glue.

Any other suggestions from my writing friends for those just starting out?



http://lcmccabe.blogspot.com/2012/05/advice-for-newbie-writers.html

Sonoma Squares Murder Mystery - Coming Soon!

I will be a part of a literary experiment. One of the members in my writers club, Robert Digitale, is a reporter with the Santa Rosa Press Democrat. Robert has created a murder mystery to be published online with sixteen different writers. I am honored to say that he invited me to participate in this fun endeavor.

Robert wrote the overview and gave us direction as to what he wanted covered in our assigned chapters, and then he served as the air traffic controller/editor in assuring that the storyline was as seamless as possible.

The story will be available online starting Monday, April 23rd and can be found here. There is one last chapter that has yet to be written and is still up for grabs. Details of how you can apply to write that installment will be posted online this Thursday.

You can find a lineup of the different participating authors here.

Check it out and you can even "Like" the Sonoma Squares Murder Mystery page on Facebook.

I hope you enjoy the story and my small contribution. I found it difficult to try and cover as much ground as Robert wanted in as small of a word limit as he gave. Going from epic historic fantasy with room to elaborate on settings, characterizations, etc. to writing a distilled essence of a scene was challenging.

Should anyone here wish to join the mystery, I wish you the best of luck getting chosen and have fun in the writing if you are!

Linda



http://lcmccabe.blogspot.com/2012/04/sonoma-squares-murder-mystery-coming.html

Sonoma County Book Festival

This past weekend was the twelfth annual Sonoma County Book Festival. It has grown to eight different venues and stages for readings and panel discussions, as well as four different areas for the over ninety vendors.

Amazing.

Here is Fourth Street in Downtown Santa Rosa which was closed off this year to traffic to accommodate the event.


My writers club had two separate tables, one for membership and another for advertising our various programs and upcoming events. Redwood Writers has become so vibrant and popular that it sponsored four other tables for our members to showcase their books on a rotating basis. Each table had two authors on two hour shifts, so a total of thirty-two members had an opportunity to sell their books as a benefit of belonging to our club without having to pay an exhibitors fee.

That was a great opportunity and one that I utilized. I was also scheduled to read from my novel Quest of the Warrior Maid. To help put myself in a festive mood, I decided to wear a period costume.

My outfit may not be accurate ninth century apparel, but I have limited sewing skills. Many people complimented me on my dress, so if nothing else - I stood out from the crowd by dressing Medievalish.

With my friend Kate Farrell.

Here I am with Teresa LeYung Ryan

Ana Manwaring organized the Redwood Writers Village Stage with twelve different groups who each had multiple readers. That is a lot of organizing. Our podium was created by her husband. It is a hollowed out redwood stump and we were in front of a grove of redwood trees. How fitting for Redwood Writers.

Ana Manwaring introducing me.

I am reading a scene from Quest of the Warrior Maid.

Ana requested that I read a "spicy" scene from my book, so for those who have a copy of my book - it was chapter 28 - a scene on Alcina's island.

It was fun and I had several people tell me later in the day that they enjoyed the enthusiasm I showed in my presentation.

Here is a close up of my jewelry. Yes that's a sword pendant I am wearing as well as Occitan crosses for earrings.

After I read, I introduced another club member's new work.

Robbi Sommers Bryant reads from her new novel The Beautiful Evil.

Our writing club's vice-president Jeane Slone has created a wonderful program for Sonoma County authors with independent coffee shops. There are now eighteen coffee shops selling over seventy titles by forty-seven Sonoma County authors. The coffee shops love it because their customers get to browse while they are waiting for their lattes, and the owners do not have to do anything with the books. Jeane visits them regularly to rotate and refill titles. Here she is talking with two festival goers about the program.

Here is a picture of the list of coffee shops in the program.

And here is an easier to read list of the independent coffee shops who are carrying local Sonoma County authors' books:

Apple Box Coffee shop: 224 B St., Petaluma
The Barking Dog Roasters: 18133 Sonoma Hwy., Sonoma
The Barking Dog Roasters (II): 201 W. Napa St., Sonoma
The Bean Affair: 1270 Healdsburg Ave, #101, Healdsburg
Bungalow Coffee and Tea: near Molsberry Market, Larksfield
Café de Croissants: 6580 Oakmont Dr., Oakmont
Café Noto: 630 McClelland Dr., Windsor
Community Café: 875 West Napa St., Sonoma
The Dry Creek Store: 3495 Dry Creek Road, Healdsburg
Golden Bean: 101Golf Course Dr., Suite A3, Rohnert Park
Gypsey Café: 162 N. Main St., Sebastopol
Kenwood Farmhouse Gift shop: 9255 Sonoma Hwy., Kenwood
Local Folkal: 117 N. Cloverdale Blvd., Cloverdale
Midtown Café: 1422 4th St.. Santa Rosa
Muffin Street Baking: 52 Mission Circle, Santa Rosa (McDonald/Mission shopping center)
Off the Track Coffee shop: 6544 Front Street, Forestville
Pearson & Co. Expresso & Catering/McCoy's Cookware: 2759 4th St., Santa Rosa (Near Farmer's Lane, next to Safeway)

Jeane told me that my book is currently at The Bean Affair, Café Noto, and the Bungalow. There were a few others, but she rotates the stock so that the coffee shop regulars will have different titles to browse.

It's hard to see with the shadow, but Jeane is holding up a copy of my book.

Jeane had a great day talking with festival goers, selling a few books and seven more authors expressed interest in having their work entered into the program.

Here I am at my half of the table with my books, book marks, and post cards. I also have an artist's drawing of the Guédelon project to help set the mood. I also set out an Occitan flag that I purchased on my last trip to France.

The bright yellow cross on a field of red is used throughout the Midi-Pyrenees region and even appears on their license plates. It was a symbol of the counts of Toulouse and now represents a regional pride. The design may not date back to the time of Charlemagne, but it is associated with the area where my heroine Bradamante is from and therefore I like it.

Besides the colors are vivid and eye catching. I also found it and my costume to be conversational ice breakers.


Here are some more pictures from that glorious autumn day.

Schmoozing with my friends Pat Morin and Barbara Truax.

Barbara Truax and Catharine Bramkamp checking out Carol McConkie's new book Fat Girl Fairy Boy.

Goofing around with Cindy Pavlinac.

Hanging with "Fear the Beard" SF Giants fan Roger Harris.

And my table was graced with the Cindy Pavlinac's famous road tripping pooch Merlin.

All in all it was a glorious day. The weather was perfect this year. Now, I need to order more authors' copies of my book as I am down to my last copy.

Video from Redwood Writers 2009 Conference

Hello everyone,

It has been a long time since I last posted to my blog. I have been busy and to demonstrate this, I will share with you the fruits of my labor.

I finally discovered how to make a video and upload it to Youtube. I figured that since there are millions of videos on that site that I should also be able to accomplish this task as well.

Last fall my writers club held a writers conference in Santa Rosa, California.

I was fortunate to introduce our keynote speaker Tamim Ansary. He is a well respected writer in the San Francisco Bay Area, a bestselling author, and an endearing speaker.

I loved his books West of Kabul, East of New York and Destiny Disrupted: A History of the World through Islamic Eyes. They are profound and insightful and told in a readily accessible manner.

For those wondering what I look or sound like, you can watch me in action as I introduce Tamim Ansary.



Due to time limitations on Youtube, I broke his talk into four parts.

Part I



Part II



Part III



And Part IV

C.W. Gortner, An overnight literary sensation 13 years in the making

The Redwood Writers branch of the California Writers Club

I started this post a week ago, but have not had much chance to finish it due to visits from relatives and - ahem - home improvement projects.

On Sunday, December 7th my writers club was fortunate to have Christopher Gortner as our guest speaker. The title of his talk was: "Thirteen Years in the Making: C.W. Gortner's Personal Journey to Publication."

Before the meeting started I was chatting with Christopher and happened to mention an anecdote about one of the members of my club. As he heard her name, Christopher's eyes grew large.

"You know Persia Woolley?"

"Yes." I looked around the room, saw her and said, "and she's here today."

He told me how much he loves her book How to Write and Sell Historical Fiction and how he refers to it frequently during his writing process and that he has bought replacement copies of it over the years.

I beckoned Persia over and made introductions.

Persia Woolley and Christopher Gortner

Christopher is also a fan of her Guinevere trilogy and expressed regret that he did not have his copies with him to be signed.

Persia's books may be classified as out of print, but they continue to have an impact on readers and writers. Hopefully her trilogy will be reprinted for new audiences to discover and she should update the How-to book to incorporate the internet age and how to sift through information found by online searches.

Now onto the meat of Christopher's talk. He loves historical fiction. He loves reading it and writing it.

He has always wanted to be a novelist writing historical fiction, even when the market for the genre was considered to be "dead."

His first agent was from New York City and his first novel about Anne Boleyn made the publishing rounds. During the waiting period of hearing back from publishers, Christopher busied himself by writing another book. This one was on Juana of Castile also known as "Juana la Loca."

After his novel got some glowing rejection letters and the novel The Secret Diary of Anne Boleyn by Robin Maxwell was published it was suggested there would not be much interest in the market for another Anne Boleyn book at the time.

Disillusioned with New York, Christopher signed with a different agent, one who was from another part of the country.

She sent his book on Juana of Castile around, but did not have any better luck. The publishers liked his style and his voice, but no one was buying.

At one point she told him that the difficulty might be in his name. Because most buyers of historical fiction are women and it was thought that female book buyers preferred books about women written by women.

She suggested he adopt a pen name like Caryn Gortner. Or Catherine Gortner.

He did not want to do it.

For one thing, he would be hiding behind a persona and for another, how are you supposed to publicize your book if you are a man pretending to be a woman? Dress in drag to signings?

His agent was not amused.

He received one offer for his book on Juana, but there were some matters that needed to be agreed to before any contract could be signed.

The biggest sticking point concerned the ending.

They wanted it to be changed, because they wanted a happy ending.

Juana of Castile is an historical figure with a tragic life story and it is not in any form a Happily Ever After Ending.

Yet that is what this publisher wanted to have happen. They wanted this story to be a category romance with those genre expectations which are antithetical to the historical reality of the person depicted in the story.

His agent was pushing for him to accept the deal and make the changes.

Christopher was torn because he really wanted to be published and he had been through the publishing merry-go-round for several years at this point in time. He consulted a trusted friend and she told him that if he did what the publisher wanted that he would live to regret it.

He would be savaged by the critics for changing history and he might get steered into becoming a category romance author. He prefers writing about complicated historical figures with tragic fates. That is not the formula for category romance success.

Christopher declined to change the ending. His agent then dropped him from her list of clients.



He tried again with a third book, this time about Catherine de Medici. He signed with an agent at the Jean V. Nagar Literary Agency and once again he had a book making the rounds.

Christopher said that each book seemed to take about 2 1/2 years of submissions and received about 45-55 rejections. Many of the rejections described how much they loved his work, but mentioned all the difficulties in the marketplace, including the perception that historical fiction was a dying genre and the tremendous challenges in launching an unknown author in the genre.


During this time, his agent left the agency and wanted to take him with her. There were some contract unraveling that needed to be done, but he chose to stay with her rather than try to have his book "adopted" by another agent.

He decided at one point to chase writing trends and he spent countless hours in a book store studying the market. It was because of that experience that he wrote a short "thriller" set in the Tudor Court and with a male protagonist. Christopher said that he would not recommend anyone trying to follow trends because by the time you finish writing your book and if it makes the publishing rounds and gets picked up, you are talking a couple years from when you did your initial research. By that time, that trend may no longer be in vogue.

The situation with his third agent deteriorated and after a final round of submissions for his Tudor thriller, they parted ways.

For years he had been excited when he talked with his literary friends because he had an agent and his work was "making the rounds." He was anticipating good news. The years of repeated rejection had begun taking its toll on his psyche.

He avoided the literary community, because he did not want to admit he had given up.

He stopped writing for eight months and went through a period of depression, until his partner gave him a swift kick in the backside and instructed him to start writing again.

Christopher decided that his writing deserved an audience and if New York publishers could not find their way to publish his works, then he would himself. He started researching various POD publishers such as iUniverse and AuthorHouse when he met someone who was planning on starting a small publishing house. This guy knew of Christopher's writing reputation and offered to publish a book without charging him any fees.

He chose the short Tudor court thriller as his first test case. The Secret Lion was all set to print and he received a call saying that there was trouble with the cover. His name was giving them fits because of its length.

It was "the name thing" again.

Christopher asked them to try his initials of C.W. and see how it looked.

That worked.

And so, due to cover art considerations, he adopted the pen name of C.W. Gortner.

Using the strength of the internet and his own networking of friends and associates, he wound up selling around six thousand copies of The Secret Lion online.

He followed up that success by self publishing The Last Queen and had sold about a thousand copies of that title within a month when he received a phone call from Jennifer Weltz at the Jean V. Nagar Literary Agency. He had talked with her during the process of leaving the agency to follow his previous agent and she remembered him when she came across his name while looking at The Secret Lion at Amazon.com. She asked about his sales record as well as wanting to see his manuscripts. Christopher sent her everything she requested and signed with her, but he did not allow himself to get his hopes up.

He had been through this dance three times before.

Then in a few months, Jennifer called with good news. She had an offer, but other houses were considering the manuscript and she wanted to notify them that an offer was on the table. To everyone's surprise, the book ended up going into auction.

In the end, he had a two book deal for six figures with Ballantine.

Huzzah!

Christopher Gortner and Linda McCabe

The Last Queen is a wonderful book. I loved it.

I knew from the book trailer that Juana suffered a tragic fate, but I was unfamiliar with her life story and did not know how it would end.






Christopher has painted a vivid picture of how limits felt by women of the time and the motives of those surrounding her were predicated upon political power.

If you are looking for a Christmas present for someone who loves historical fiction, I heartily recommend C.W. Gortner's The Last Queen.

By the way, he has a great blog as well.