Thursday, June 18, 2009

Review: Twilight of Avalon: A Novel of Trystan and Isolde by Anna Elliott

Here is a review (without spoilers!) written by a friend of mine about a debut novel recently published in trade paperback. It is the first installment of a planned trilogy by Anna Elliott and published by Touchstone (Simon and Schuster.)

Twilight of Avalon: A Novel of Trystan and Isolde by Anna Elliott

A new version of the fabled legend of Trystan and Isolde, Twilight of Avalon is a hearty brew of goddess magic and ancient text, told from the point of view of the surprisingly wise and adept Isolde. Elliott’s debut novel, first in a trilogy, relies on the earliest written verses of the legend, yet brings us vivid characters, witty and wry, with modern complexities and motivations. Written in the tradition of Marion Zimmer Bradley and Mary Renault, Elliott’s Twilight of Avalon humanizes the legendary characters of Trystan and Isolde, translating them from the iconic, bigger than life, tragic figures to clever conspirators on a dangerous, breathtaking adventure. The characters’ real courage and skill, coupled with the magical heritage of Avalon, weaves a new bright texture to the tapestry of this medieval lore.

Review by Kate Farrell, Author, Girl in the Mirror.

Anna Elliott is willing to talk via speakerphone to book groups about her novel. I enjoy meeting authors at books signings and being able to ask them about aspects of their book or the writing process. However, it is not possible that every author I am interested in will be able to visit my local bookstore. So I appreciate it when authors are willing to make themselves available using our modern communiation technology to "virtually" meet their readers.

Speaking of the legend of Tristan and Iseult...a few years ago my friend Kate Farrell and I attended the West Coast premiere of Patrick Ball and the Medieval Beast's The Flame of Love: The Legend of Tristan and Iseult.

It was a mixture of spoken word and medieval musical accompaniment. It was beautiful. Patrick Ball is a world renowned harpist and his website now has audio clips from that show. Patrick has many CDs of his shows including some dedicated to the music of the famous Irish harpist Turlough O'Carolan. He has a busy touring schedule and you should check it to see if he is coming to a venue near you.

Happy Summer Solstice everyone,


Tuesday, June 9, 2009

Contest to help launch new edition of Pope Joan

Today June 9th is the launch date of a new revised version of Donna Woolfolk Cross' novel Pope Joan. I met Donna ten years ago when she visited Sonoma County and was kind enough to offer to do a benefit signing for an organization I headed at the time.

I am happy that she has had such wonderful success with her novel and wish her well on the launch of the new edition and with the forthcoming movie adapted from her novel.

From her email updates comes this information:

Pope Joan Updates
from Donna Woolfolk Cross

Hello Pope Joan Readers!

Ready to walk the red carpet with me? See below!

Has any author has ever owed so much to her readers as I do? I doubt it. Abandoned by its previous publisher, Pope Joan, labor of my heart, the product of seven years of research and writing, should by all rights have had a shelf life somewhere between lettuce and yogurt!

The fact that it's still in print is testimony to the power of grass-roots promotion--to the kindness of readers who passed the word (not the book! never the book!) along. Heartfelt thanks to all who have supported my poor orphaned novel over the years.

At long last, Pope Joan may have her day. As I mentioned in the
March Update, I now have a wonderful new publisher, Three Rivers
Press. Together, we have created a whole new edition of Pope Joan.

The new version has:

  • larger print (no need to squint to read it anymore!)

  • corrections and additions to the text

  • revised and updated Author's Note which includes new information in support of Joan's historical existence

  • a new list of "Best of the Best" reading group questions, gleaned from my many years of chatting by speakerphone with reading and school groups all over the U.S., Canada and Europe.

The new edition will arrive in bookstores tomorrow, June 9th. And it's important that it "hit the ground running." The more briskly books sell right on/after June 9th, the more likely Pope Joan will finally "make her mark" on a U.S. bestseller list.

To help encourage summer sales, I've come up with a fun and unusual idea, which should appeal to anyone who has ever dreamed of walking a red carpet.

Join me and my family as we walk the red carpet on the night of the Pope Joan movie premiere!

... Includes two tickets to the movie premiere,
plus round trip airfare for two from any location in the continental United States or Canada, and one night hotel accommodation for you and your guest to share.

Want to participate? Simply buy the new Three Rivers Press edition of Pope Joan during the months of June or July 2009 and send me the original receipt. In August, I'll pick randomly from the pile of receipts to select someone and their guest to join me at the U.S. movie premiere in the fall (exact date still to be determined).

And... a special bonus for anyone who purchases the new edition of Pope Joan on its release date, Tuesday, June 9th.
Learn more at the link below.


Link to the official Pope Joan Red Carpet entry information here.


It's an innovative--even somewhat quirky-- idea, which is why I believe Joan herself would have liked it. It's also a very small gesture of appreciation to my wonderful readers who have done so much for Pope Joan. With your continued support, perhaps this inspirational woman, long forgotten to history, can finally get the recognition she deserves!

Donna Woolfolk Cross

June 2009

Wednesday, June 3, 2009

My thoughts on the Twilight series

This essay has been in the works for some time. I was inspired to read the series when my friend John Granger was challenged to compare the Twilight phenomenon to the Harry Potter series. Many have asked if Twilight is the new Harry Potter because both are fantasy series whose popularity increased over time and had crazed fans at bookstores' midnight release parties. Both John Granger and Travis Prinzi have weighed in on their thoughts on the Twilight series, but it has taken me longer to chime in with my response.

In my own humble opinion I see little similarity between the two series. The Harry Potter series is intricately plotted and layered with all kinds of obscure symbolism and rich meaning. The Twilight series appears far more straightforward with its strength on the romantic love story between the lead characters rather than having a complex plot structure with intricate mythological subtext and alchemical symbolism as the Harry Potter series does.

I have read the entire Twilight series as well as the online partial manuscript of Midnight Sun that was abandoned by Stephenie Meyer after it was leaked onto the internet.

I have also watched the movie a few times.

This analysis is a broad overview of the series and contains some spoilers. So those who have not read Stephenie Meyer’s Twilight series and were considering either reading it or watching the movie adaptations are forewarned.

Some of the questions I see posed most often is "why is it so popular?" and "why is it less likely for men to like this series as well as women?" That last observation alone makes the Twilight series different from the Harry Potter series, because in my own experience I know many men who are just as obsessed as women with the series (as well as children.)

I believe the answers to the gender gap and the popularity of the series can be discerned by understanding the character of Edward Cullen and his impact on readers.

The other day I overheard a work colleague talking with one of her friends. They were discussing the Twilight series and this woman I didn't know proclaimed that Edward Cullen was her boyfriend. I suppressed a laugh because she would have no idea how much I have over-analyzed this series. If I discussed my thoughts with her, I might have lessened her ardor for him and the series, but then again, maybe nothing would.

That is because Edward Cullen is not only Drop Dead Gorgeous, he is perfect. He is so perfect that no mere mortal man could ever measure up to Edward's perfection as the ultimate fantasy male.

Edward has perfect hair, the perfect smile, perfect chiseled features, perfect six pack abs, and a perfect musical sounding voice.

Did I mention he was perfect? Stephenie Meyers wants to make sure her readers know how perfect Edward Cullen is by using the words perfect and perfection to describe him multiple times throughout the story.

Here are a few descriptions of him:

His hair was dripping wet, disheveled – even so, he looked like he’d just finished shooting a commercial for hair gel. His dazzling face was friendly, open, a slight smile on his flawless lips. Page 43

He smiled widely, flashing a set of perfect, ultrawhite teeth. Page 50.

I was in danger of being distracted by his livid, glorious face. It was like trying to stare down a destroying angel…He paused and for a brief moment his stunning face was unexpectedly vulnerable. page 65

There's more. Much more. Bella Swan as the narrator is quite redundant about her adoration of Edward's physical features.

It is a wonder the filmmakers were able to cast any actor to play the part onscreen. Few living men would feel comfortable trying to measure up to that kind of advance billing. Even Robert Pattinson was insecure about showing his chest for the film because he did not think he could live up to the perfect Adonis-like physique described in the text.

But, there is more than just his good looks which makes him attractive. He is also aloof to the point of being unobtainable. The rare earth element unobtainium makes him even more desirable.

But wait - there's more. Edward is also a virgin.

Not your average run-of-the-mill, "I just haven't slept with anyone yet" virgin. Noooo. He is a Virgin in every way. Not only has he never had sex before, he has never even had sexual thoughts before.

He is pure.

Poor gorgeous Edward has the blessing/curse of being able to hear other people's thoughts. Every vengeful, spiteful, prideful, lustful, deceitful, inane thought someone has is easily discerned by Edward. He can try and ignore the thoughts of others as if it were merely background noise, but no one's mind was ever a mystery to him.

This changes when he meets Bella Swan and discovers he cannot read her thoughts. Even though she has is likely to have similar thoughts to other teenaged girls who are drooling over him, he cannot sense them. This makes her an enigma and she therefore fascinates him. She also has a scent that drives him wild.

Wild to the point of madness. Which makes him all the more dangerous. And Edward is a bad boy. In fiction, and sometimes in Real Life, bad boys = Dead!Sexy.

Bella and Edward clash, but Bella detects mixed signals on his part. This confuses her and makes Edward seem all the more alluring.

She becomes so enamored by his beauty that even after she discovers his Dark Secret, she does not care.

For those unaware, Edward Cullen's Deep Dark Secret is that he is a vampire. However he is not in the Bela Legosi/Christopher Lee/Jonathon Frid/Frank Langella vein of vampires. Nope. Edward is basically a "defanged" vampire and has been rendered almost harmless.

This is the aspect of the series that I find the most problematic. If Meyer didn't like vampire lore, I feel she should have chosen another mythological creature or tried creating a new fantastical creature.

Instead, Stephenie Meyer made her "good vampires" so tame that they lack most of the trademark markers of the cursed Undead.

It is as if she went through a checklist to deep-six anything that made her squeamish. The italics denote my imagining Meyer's thought processes as she determined the rules of her Twilight universe vampires.

Drinking human blood? That is for the bad vampires, but ewww. Not for my hero. I'll make him a "vegetarian" subsisting on the blood of animals. Oh and allow him and his "family" to gorge themselves so they do not have to feed on a daily basis. A few times a month should do it - otherwise it might interfere with plotting. Edward will just have to suffer from thirst because he cannot leave Bella's side when her safety is threatened by the bad vamps.

Sleeping in coffins? Ugh. Creeeeepy. How about vampires never sleep? Yeah, imagine all the things you could get accomplished if you never slept.

Have them be driven away by crucifixes? Nah. That might imply they were demonic. Can't have that with my hero. Instead, I'll feature a gigantic crucifix in the vampire household as a religious relic.

Unable to walk about during daylight hours? Er, no. He just has to avoid the rays of the sun. I shall choose a setting that is overcast most of the time. Edward has to be able to be outside during daylight because otherwise the set up of my romantic couple meeting in high school would not work. And I have to make Bella be a high school student because I want her to be a virgin as well. It would be less likely for an attractive young woman to believably be a virgin by college age. I know, I'll come up with something no one would expect as to why vampires cannot go be seen in the daytime. Vampire skin is iridescent in sunlight like cut diamonds. Sunlight will make their skin all sparkly. :swoons at the thought: Sparkly vampires. Mmmmmm.

The sparkly vampires aspect is something that gave me the most difficulty in the series.

I normally avoid reading urban fantasy novels which have vampires in them. That is because of my tendency to nitpick to death aspects of vampire legend. I grew up watching "Dark Shadows" on tv as well as many vampire movies until I knew the Hollywood vampire lore by heart.

This was best exemplified by the George Hamilton spoof, “Love at First Bite.”

Vampires can’t see their images in mirrors, they sleep during daylight hours, they cannot not stand garlic or crosses, they have to be invited inside someone's home, can turn into bats, and it takes three bites to turn someone into a vampire. Three bites. If a woman who was bitten by a vampire did not receive three bites, she was safe.

At least that was the state of vampire mythology “Hollywood style” when I was growing up.

In high school, I had to write a ten page research paper. We could choose any topic under the sun. I chose vampire lore. Why? I thought it would be fun. I discovered that the Hollywood treatment of vampires does not necessarily follow the legends. You did not need three bites to become a vampire. You could be bitten once, survive the encounter and then when you died eventually you would then become a vampire. Or you could be bled slowly, survive multiple bites over the magic number of three and when you finally died you would become a vampire. I learned lots of weird vampire trivia that I dust off occasionally like parlor tricks to spice up conversations with people. I no longer have the citations, but many of them came from renowned vampirologist Reverend Montague Summers and his books The Vampire in Europe and The Vampire his Kith and Kin.

For instance once werewolves are killed, they will rise up to become vampires.

Frankly, once I discovered that particular bit of lore, I wondered why no one in Hollywood has used it. Come on, we are talking about a built-in sequel here.

You could become a vampire if a cat jumped over your coffin. So be sure to keep the kitties away from Aunt Martha when she is laid out to rest in the front parlor.

Other methods of becoming a vampire included excommunication and weirdly even the gaze of a vampire can sometimes transmit vampirism. Should a vampire gaze upon a pregnant woman, that cursed child is doomed to becoming a vampire after death even if they life a long full life.

Vampires also had an uncontrollable urge to count things, such as thorns or poppy seeds. So rather than making your room smell like a garlic factory, you could just throw a handful of poppy seeds outside your bedroom window rendering the potential night time visitor into the comical sight of a creature picking up individual seeds and saying, "one poppy seed, two poppy seeds, three poppy seeds, ah, ah, ah, ahhhhh."

After learning the strange beliefs surrounding vampire legends, and after having watched Frank Langella as Dracula, I felt that I had no further need to see another vampire movie. To me, no one could ever out do Langella in his prime and I was afraid that I would simply nitpick over a Hollywood screenwriter twisting the legends into directions I would not care for.

Hence my reluctance to read urban fantasy and why some of Meyer's changes to vampire lore bugged me more than it would your average reader and/or movie goer. I dislike it when certain aspects are altered too far from what I consider to be the core vampire lore.

The biggest difference in Meyer’s character of Edward Cullen from traditional Dracula-like vampires is that Edward does not accept and/or revel in his status as a vampire. This ups the angst quotient. He is a vampire who deliberately goes against his own nature.

He is immortal and has been a vampire since his death at age seventeen from the Spanish influenza in 1918. The age difference between Edward and Bella disturbs some of the commenters on the Hogwarts Professor boards. I understood Meyer’s age choice due to the constructs of wanting a believable reason for Edward being a virgin. Impending death by flu was a convenient choice for Meyer since Edward would have died without trauma and it is a time period where we romanticize that men were more gentlemanly toward women and that women were more protective of their virtue. It is doubtful that a really good looking guy like Edward would be a virgin at age seventeen if he lived in the 1950s, 60s, 70s, etc. Then making him live without love for nearly a century increases the angst and Edward Cullen’s character is all about angst.

Edward lived with three other vampire couples for nearly one hundred years while he was alone. He did not realize that he was waiting for his soul mate Bella to be born. Once he discovered that his strange feelings toward this human were due to love, he began doting on her. Edward loved Bella completely, wholly, even obsessively. He loved the blush in her cheeks and the sound of her heart fluttering. If she were to become a vampire, those mortal things would disappear.

Edward loathed his own inhuman existence (oh, the angst!) and did not wish that upon the woman he loves. Instead his preference was to have his own version of courtly love with her. He kissed her and cuddled with her, but refused to go any farther lest he might lose control and possibly crush her skull, pelvis, etc., in the heat of passion.

This is a far different kind of relationship from the Classic vampire/human relationship typified by Hollywood movies. Generally we see a predator seeking to quench his thirst amongst humans and he discovers a woman he finds attractive. He wants her to satisfy more than just one appetite. He stalks, attacks and claims dominion over said prey. Then someone near and dear to the victim tries to rescue her from the fate worse than death. Stalking of the vampire begins and the end of the story is the destruction of the undead.

Not in this story. Because Edward Cullen is not Dracula. He has a conscience and actively denies his own true nature, which again drives up the angst quotient. He is a tortured soul. (That is if vampires have souls.) Because Edward is protective of Bella’s status as a living, breathing human he becomes the antithesis to “normal” vampires. This conflict of normal/abnormal vampire behavior drives the storyline in each of the four volumes and leads to showdowns with “bad” vampires in each book.

Another source of conflict in the story is the differences between what Bella wants and what Edward wants. Edward wants to simply love Bella and watch her grow old, die a normal death and then he would want to have his own existence end so that he did not continue on without her. Bella does not like that scenario. Because Edward not only has immortal life he has eternal youth.

He will always be gorgeous.

He will never get older, fatter and balder.

Being human and alive, Bella will grow older. Her body will start to sag. Her face will become lined. Her hair will thin and grow gray.

In Edward’s preferred future, someone will one day make reference to Edward and assume that he is Bella’s son or grandson.

To Bella, that is a nightmare.

She would rather die and become a vampire so that she can also have eternal youth and eternal beauty. Bella does not have a death wish, nor does she have a fascination with death as I have heard some people contemplate. It is simply Bella wanting to be Edward’s partner in every way and for eternity.

Edward in his sacrificial denial of self, resists Bella’s entreaties. He not only refuses to “turn her” into a vampire, but he continually refuses to satisfy her sexually. This aspect of the book is also a source of great discussion.

I have seen some parents think that Bella and Edward not having sex is something that is good for teenaged girls to read.

:Ahem: I think that this is a perfect situation for parents to read the books and then lead a discussion with their teenaged daughters as to what are realistic expectations from their teenaged boyfriends.

Know that once Bella and Edward openly profess their undying love for one another that they do not want to be apart from each other. This leads to Edward being a regular visitor to Bella’s bedroom. This is done without her father’s knowledge, let alone permission. Edward cannot sleep, but Bella sleeps in his ice-cold arms. She continually tests his resolve to not give into desire and consummate their relationship.

She is the sexual aggressor and he is the one holding out.

Again, this type of thing makes Edward Cullen into the perfect romantic hero. At least for virgins who would like to retain their virtue and “good girl” reputation.

Normal teenaged males with raging hormones will not be interested in simply cuddling if they are invited into a teenaged girl’s bed.

There’s the romantic fantasy of having someone like Edward Cullen proclaiming his undying and unconditional love, being protective, generous, and not taking sexual advantage of a vulnerable girl and then there is the reality of real live boys/men who cannot measure up to such idealized standards.

The strength of the Twilight series lies not in complicated plots, but in showing the depth of feeling between two characters who love each other unconditionally. It is the raw emotion between Edward and Bella that drives this series and created so many dedicated fans. Because there is a desire to love someone in a similar unswerving manner and have that kind of depth of passion returned.

But no human man can ever live up to the romantic ideal of Edward Cullen, which in my opinion is a bigger reason to classify this series as romantic fantasy more than the vampirism.

Your thoughts on this series are welcomed, as well as your questions.