Reading and signing in Milan, Italy

I am happy to announce that I will be doing a reading and book signing at the English Bookshop in Milan.

Mark your calendars for Monday, June 17th at 6:30 pm, at the corner of Via L. Mascheroni and Via Lodovico Ariosto.

 

I blogged about this wonderful bookstore back in January. I had a wonderful chat with the store's owner, Peter Panton, and I am looking forward to seeing him again.

I was saddened to hear that he made the decision to close his store as of June 30th. It will be a great loss to the literary community in Milan. I am grateful that Mr. Panton agreed to hold an event so soon to his store's closing.

Please help spread the word to your friends and colleagues who live in Northern Italy about the book signing and also of the store's closing. I am certain Peter would like to hear from people about how his store has touched their lives over the last thirty-five years.

Another request I have is to contact him ahead of time for those who will be attending my signing so that he can better prepare the amount of chairs to set out and the number of books to order. The phone number isl: 02 4694468

You can also direct people to my official Facebook page's event listing and have them RSVP there.



Thank you and I hope to have many pictures to share later from this memorable occasion.

Linda

http://lcmccabe.blogspot.com/2013/05/reading-and-signing-in-milan-italy.html

Sonoma County Book Festival

This past weekend was the twelfth annual Sonoma County Book Festival. It has grown to eight different venues and stages for readings and panel discussions, as well as four different areas for the over ninety vendors.

Amazing.

Here is Fourth Street in Downtown Santa Rosa which was closed off this year to traffic to accommodate the event.


My writers club had two separate tables, one for membership and another for advertising our various programs and upcoming events. Redwood Writers has become so vibrant and popular that it sponsored four other tables for our members to showcase their books on a rotating basis. Each table had two authors on two hour shifts, so a total of thirty-two members had an opportunity to sell their books as a benefit of belonging to our club without having to pay an exhibitors fee.

That was a great opportunity and one that I utilized. I was also scheduled to read from my novel Quest of the Warrior Maid. To help put myself in a festive mood, I decided to wear a period costume.

My outfit may not be accurate ninth century apparel, but I have limited sewing skills. Many people complimented me on my dress, so if nothing else - I stood out from the crowd by dressing Medievalish.

With my friend Kate Farrell.

Here I am with Teresa LeYung Ryan

Ana Manwaring organized the Redwood Writers Village Stage with twelve different groups who each had multiple readers. That is a lot of organizing. Our podium was created by her husband. It is a hollowed out redwood stump and we were in front of a grove of redwood trees. How fitting for Redwood Writers.

Ana Manwaring introducing me.

I am reading a scene from Quest of the Warrior Maid.

Ana requested that I read a "spicy" scene from my book, so for those who have a copy of my book - it was chapter 28 - a scene on Alcina's island.

It was fun and I had several people tell me later in the day that they enjoyed the enthusiasm I showed in my presentation.

Here is a close up of my jewelry. Yes that's a sword pendant I am wearing as well as Occitan crosses for earrings.

After I read, I introduced another club member's new work.

Robbi Sommers Bryant reads from her new novel The Beautiful Evil.

Our writing club's vice-president Jeane Slone has created a wonderful program for Sonoma County authors with independent coffee shops. There are now eighteen coffee shops selling over seventy titles by forty-seven Sonoma County authors. The coffee shops love it because their customers get to browse while they are waiting for their lattes, and the owners do not have to do anything with the books. Jeane visits them regularly to rotate and refill titles. Here she is talking with two festival goers about the program.

Here is a picture of the list of coffee shops in the program.

And here is an easier to read list of the independent coffee shops who are carrying local Sonoma County authors' books:

Apple Box Coffee shop: 224 B St., Petaluma
The Barking Dog Roasters: 18133 Sonoma Hwy., Sonoma
The Barking Dog Roasters (II): 201 W. Napa St., Sonoma
The Bean Affair: 1270 Healdsburg Ave, #101, Healdsburg
Bungalow Coffee and Tea: near Molsberry Market, Larksfield
Café de Croissants: 6580 Oakmont Dr., Oakmont
Café Noto: 630 McClelland Dr., Windsor
Community Café: 875 West Napa St., Sonoma
The Dry Creek Store: 3495 Dry Creek Road, Healdsburg
Golden Bean: 101Golf Course Dr., Suite A3, Rohnert Park
Gypsey Café: 162 N. Main St., Sebastopol
Kenwood Farmhouse Gift shop: 9255 Sonoma Hwy., Kenwood
Local Folkal: 117 N. Cloverdale Blvd., Cloverdale
Midtown Café: 1422 4th St.. Santa Rosa
Muffin Street Baking: 52 Mission Circle, Santa Rosa (McDonald/Mission shopping center)
Off the Track Coffee shop: 6544 Front Street, Forestville
Pearson & Co. Expresso & Catering/McCoy's Cookware: 2759 4th St., Santa Rosa (Near Farmer's Lane, next to Safeway)

Jeane told me that my book is currently at The Bean Affair, Café Noto, and the Bungalow. There were a few others, but she rotates the stock so that the coffee shop regulars will have different titles to browse.

It's hard to see with the shadow, but Jeane is holding up a copy of my book.

Jeane had a great day talking with festival goers, selling a few books and seven more authors expressed interest in having their work entered into the program.

Here I am at my half of the table with my books, book marks, and post cards. I also have an artist's drawing of the Guédelon project to help set the mood. I also set out an Occitan flag that I purchased on my last trip to France.

The bright yellow cross on a field of red is used throughout the Midi-Pyrenees region and even appears on their license plates. It was a symbol of the counts of Toulouse and now represents a regional pride. The design may not date back to the time of Charlemagne, but it is associated with the area where my heroine Bradamante is from and therefore I like it.

Besides the colors are vivid and eye catching. I also found it and my costume to be conversational ice breakers.


Here are some more pictures from that glorious autumn day.

Schmoozing with my friends Pat Morin and Barbara Truax.

Barbara Truax and Catharine Bramkamp checking out Carol McConkie's new book Fat Girl Fairy Boy.

Goofing around with Cindy Pavlinac.

Hanging with "Fear the Beard" SF Giants fan Roger Harris.

And my table was graced with the Cindy Pavlinac's famous road tripping pooch Merlin.

All in all it was a glorious day. The weather was perfect this year. Now, I need to order more authors' copies of my book as I am down to my last copy.

Diva Dare Tour in the Wine Country

This post is a test case using my iPad and trying to upload pictures with this portable device. Hopefully the formatting will look similar to posts created on my home computer.

Last week my friend Patricia V. Davis appeared at Copperfield's Book Store in Santa Rosa to promote her new book The Diva Doctrine

Here we see Patricia with her husband Pete at a table filled with luscious treats for the attendees.



Her book came about due to a blog post she wrote that went viral. Her "From an Older Woman to a Younger Woman" post was reposted onto hundreds of websites and translated to foreign languages as well. The Diva Doctrine expands upon those principles that struck such a nerve with wit and wisdom.

Patricia introduces Linda Loveland Reid and Kate Farrell who gave a humorous reading of advice from Older Women to Other Older Women.




The audience loved it. Thankfully it was captured by a videocamera and will hopefully be uploaded to Youtube in the future.

http://lcmccabe.blogspot.com/2011/06/diva-dare-tour-in-wine-country.html

Setting, Scenes and Book Signings

Jean Hegland

I have mentioned before on this blog how much I enjoy belonging to a writers club. It is the process of interacting with others who share my obsession with the written word that inspires the creative flame within me.

This past weekend my club sponsored the second of three editing workshops and had its monthly meeting.

So I saw writing friends and colleagues on both Saturday and Sunday. On the drive home Sunday night I felt euphoric.

Things had gone fabulously and I had some incredible new insights that will inform my future writing and that I wanted to share with my blog readers.

Jean Hegland, author of Into the Forest, led a workshop regarding the importance of setting. She began with the situation of a person waking up from a coma and that the first thing they would ask is, "Where am I?"

That is the question that a writer needs to answer when they begin a story or a scene so that the reader will know whether it is day or night, what season, what year, whether it is indoors or outdoors and where this scene takes place geographically. Because each choice has an impact on the overall story.

Setting gives a story verisimilitude when it takes readers to a place they have not been before or if it is to a place in which they are familiar. It is vitally important to get the details right for if you choose a real location and say you put a grocery store on the wrong side of the road, those who know the area will complain.

Jean then gave an example of how important it is choosing settings for individual scenes and how by playing with your choices you can change the tone and meaning of a scene.

She referenced Jordan Rosenfeld's earlier workshop about scenes and Jordan's insistence that a scene not be comprised of "talking heads in space" and that each scene involve some action. Then Jean gave an example of an action such as a couple having sex where the setting chosen would reveal character.

The actions by the characters could be written the same, but depending on the setting the meaning and the tone of the scene would be different.

The following were the three different settings she used to illustrate her point:

1) a cemetery (ewwww)
2) a bedroom
3) a boardroom

During that discussion I could not help but blurt out my "ewwww" comment in the class, which led to a nice round of laughter from the group. Camaraderie among writers is a wonderful thing.

Jordan Rosenfeld

Now onto the subject of scenes which was Jordan Rosenfeld's topic. She described scenes as the building blocks of a story similar to beads on a wire. Meaning that each scene needs to be complete in and of itself and it is the stringing together of the scenes that create the overall story.

Each scene should be comprised of:

action
character
POV (point of view) in which the scene is communicated
new information revealed
conflict and drama
and it must take place in a tangible setting

In other words: No talking heads in space!

She also stressed that not only is the first scene in your book important to hook your readers, but that as each character of any relevance is introduced that you must take the time to recognize that this is their first scene. Writers must reveal something compelling about each important new character without resorting to a data dump summary.

Jordan feels that it is better to give such information via dialogue and action than by summary. Ye olde "show don't tell" maxim.

She described dramatic tension as a sense of danger, complexity, mystery and a sense of discovery. Each scene should have some dramatic tension. She also stressed the need for variety in the style of scenes so that there are peaks and valleys in the tempo or else the reader will become either fatigued or bored.

Plot is created in relationship to the scenes. She gave a list of 4 D's for plot revelation that each scene must include at least one of these:

Dialogue
Discovery
Demonstration (such as a flash of unexpected anger)
Devices - e.g. letters or memorabilia

She described a well balanced scene as one where the reader is:

not confused
knows the setting
knows the characters
there is tension and drama

The time to change a scene is denote a break with time, place or POV. That can be done with a full chapter break or by using a blank space within a chapter to signify the change.

For those interested in knowing more about Jordan's thoughts on scenes, you can buy her excellent book Make a Scene

by Writers Digest Books at your local bookstore or available online.

Then on Sunday at the monthly meeting of my writers club we had Stephanie Deignan the events coordinator of Copperfield's Books come and speak.

Stephanie Deignan

For several years now I had wanted to schedule a speaker who could give the bookstore's point of view in regard to author appearances. I had approached two other events coordinators in the past to give such a talk, but they declined. So I was excited when last summer I spoke with Stephanie on the phone and she accepted.

I wanted our members to know how to go about getting an event scheduled, what to expect in regard to publicizing from the bookstore, and what their responsibilities are in order to have a successful event.

Stephanie started by saying that we should all be aware that bookstores are understaffed and underpaid and so when you approach a bookseller in the hopes of arranging a signing, you need to be understanding and patient. The information that you need is to discover the name of the events coordinator, their phone number and email address. Do not bother the harried bookseller with the information about you or your book as it will probably get lost in the shuffle.

In your initial contact via phone (most likely a voice mail message) and email you should include your name, your contact information, the title of your book, the publisher information, give a brief synopsis about what the book is about, any publicity information such as radio interviews scheduled, any published reviews, as well as book distribution information. Mention if it is carried by Ingram, Baker and Taylor or a smaller independent publishing distributor or if it is a POD title (print on demand) which would necessitate being on consignment.

Then be patient and wait for a few days or so to hear back. Be professional and be willing to call back if necessary. Again, they are short staffed and bookstore employees are trying their best.

Stephanie at some point discussed the difficulty bookstores have with PODs titles because generally they are non-returnable. Bookstores will order POD titles for customers if it is paid at the time of ordering, but they do not want to be stuck with books they cannot return and might never be able to sell.

The different kinds of author events were described as "traditional author talks" where an author talks about their book, does a short reading, a question and answer session and then signs books versus "meet and greets" where a table is set up and an author can interact with customers in a more informal setting and talk one on one instead of to a group.

She said that for authors who are not yet established would find it easier to have a "meet and greet" scheduled than an "author talk." If for no other reason than it causes less havoc for booksellers since they do not have to rearrange the bookshelves in the store to make room for chairs for people who may or may not show up to the signing.

She admitted that the emphasis that bookstores give to publicizing their author events is tiered depending on the name recognition of the authors. Those who are big named authors are given "A list" treatment and more time is spent on trying to generate crowds. Then publicizing for "B list" and "C list" authors are by necessity given less time and energy. This comes back to the reality of being understaffed.

That means that a large onus of publicizing the events rests on the shoulders of authors. Once you have a scheduled event, you must do as much to publicize as you can by utilizing the old tried and true methods of fliers, posters, and postcards, as well as newer media such as online events calendars, keeping an up-to-date website with your events listings, and social media such as Facebook and blogs.

She also stressed the influence that radio interviews can have in making the events a success. If you should be lucky enough to score a radio interview with someone like Michael Krasny of KQED Radio - who has an audience known for being book buying fiends - be sure to let a bookstore know so that they can buy adequate stock. Recently an author returned for a signing and after having been interviewed on Krasny's show and he drew a significantly larger crowd than the had the year before with a previous title. The problem was that the publicist did not alert the store and there were not enough books on hand to meet demand.

Which is why authors should always carry at least a box of books with them to signings...just in case. You never know when a bookstore's order might not come through on time due to blizzards in the midwest or strikes by UPS, etc.

(A few side notes: if you are lucky enough to score a radio interview prior to a book signing, do not forget to mention your scheduled book store event including the date, time and location. That is what will bring people into the store and get their butts in the seats for your signing! And if you want to know more about what to expect with talk radio and radio interviews you can read an old post of mine on the subject of the Do's and Don'ts of Talk Radio.)

On the day of your event you should call the store early in the day to confirm, arrive early and check in with a bookseller. You should bring a sign up sheet for those who would like to be on your mailing list as well as fliers to any upcoming events such as workshops or conferences. You should also bring postcards with the cover of your book, business cards and even book marks with your website and blog addresses. Make it easy for people who are interested in you to follow your career.

Stephanie suggested an event drawing between five to ten people for small authors is doing good. She also said that if there is a ratio of 30%-50% of books sold to the number of attendees present than it is a successful signing.

During the discussion with our members, Persia Woolley mentioned another reason for authors to always be prepared. One time she went to a signing and the author never showed. The audience was getting restless and being a trooper - she offered to pitch in and give a talk about her book. The events coordinator was thrilled to have someone save the day and she had the opportunity to talk to an audience she otherwise would not have had.

Stephanie thought that was great of Persia to help out in that manner.

Persia then said that the favor wound up being returned by another author when she got lost trying to find a small venue. She arrived late after finally getting directions from someone at a gas station and discovered that another author had warmed up the crowd in the interim. (Another reason for authors to keep a box of books in the trunk of your car. You just never know when you will get a chance to sign and sell them!)

Stephanie was asked about timing of when to start trying to schedule events at bookstores and she thought that two months before publication would be a good time to start. Then on the other end is how long you have before the books start getting returned. That happens at about three months post publication for hardcovers and six months for everything else. So after about a year of publication unless your book has really taken off, it will be hard to interest a bookstore in doing an event.

Her last words of wisdom on the subject was to enjoy yourself and make it fun.

Katherine Neville, Saint Namphaise, and Chain Mail

Katherine Neville speaking at Readers Books in Sonoma, California.

Yesterday I had the pleasure of meeting one of my favorite authors, Katherine Neville. Her debut novel The Eight has the distinction of being the first hardcover book published by Ballantine Books twenty years ago.


Ballantine wanted something special to have that honor and The Eight certainly fulfilled their wildest aspirations as it has been translated into thirty six languages and is a reliable back-list title. It is a book that was difficult to pigeonhole into a single genre when it appeared on the literary scene in 1988 and to this day still flummoxes people wanting to slap a convenient label on its cover.

The Eight is a complex novel set in two different parallel time frames; one is during the French Revolution and the other in the 1970s in New York and Algeria. The extensive cast of characters - some historical figures and some purely fictional - are obsessed by a mythical chess set that once belonged to Charlemagne and is reputed to bear a secret formula for power.

Chess also serves as a powerful metaphor to describe the intricate moves and counter-moves in the plot.



The long awaited sequel The Fire has a similar structure of two parallel plot threads set in different times. The contemporary time frame is at the beginning of the Iraq War and set in Colorado and Washington, D.C. and the historical time frame is set at the brink of the Greek war of independence and set in Asia, Europe and Africa.

Once again Neville has created a novel filled with intrigue, puzzles, mystery and betrayal.

Here's the book trailer:



Neville regaled us with discussing her books as well as her time spent as an employee of Bank of American in San Francisco and lived in nearby Sausalito. She fantasized about using their computer system to steal billions of dollars from her employer and did that through fiction. There were several retired BofA employees in the audience who had shared some stories with her before her talk.

I was interested to know how much chess she played since both novels are drenched in chess as well as literary alchemy. She said that she learned to play chess when she was eighteen and admitted that she gets "chess blindness." That strategic weakness wound up appearing in her sequel as her heroine became so wrapped up in a game that she did not realize she had beaten her opponent.

Neville then discussed how she has heard from many chess grandmasters including Susan Polgar the first woman to break the grandmaster gender barrier. After Katherine had turned in her manuscript, she read Polgar's memoir and wanted to change one small detail of changing the final move in a chess game. Instead of something good, she wanted the perfect move that would echo a move Polgar made in order to earn her status as grandmaster.

The bad news was that the book already had the Advanced Reader Copies printed. However, Katherine later read the ARC and discovered that three and a half pages were missing.

Missing.

This time they had to stop the presses to add in the accidentally excluded three and a half pages. And since they were doing that...she was able to get them to change the text to reflect her preferred chess move.

She said they had to include an addendum to the reviewers who received the ARCs so that they had the missing pages.

At least the printers did not spell her name wrong on the spine of the book. A few months ago Kristin Nelson had a post on her blog written anonymously by an editor that realized after a book was printed and sitting on the bookshelf in her office that an author's name was misspelled.

Oops.

That mistake brought about the pulping of 40,000 paperbacks, but thankfully they had not been shipped to any stores when the error was discovered.

Kristen Nelson had also blogged about clients of hers who discovered by checking early copies of that an uncorrected proof copy had mistakenly had gone to print and another client discovered an editorial question embedded in page 110 of the ARC that had somehow not been deleted.

Double yikes.

The good thing to take away from those stories was that the publishers were willing to make things right.

Anyway, back to discussing the books signing. It was my pleasure to meet Katherine and schmooze with her about writing, historical fiction and Charlemagne.




Her website has been retooled and it is filled with lovely extras such as podcasts where she discusses various aspects of the books and research methods. There is also a contest to win signed first editions of The Eight and The Fire. You can also check out her events schedule to see if she will be coming to a bookstore near you.

Unfortunately it only lists those signings in the United States at this time. She mentioned she will be traveling to Spain where The Eight has been listed as one its top ten books of all times - and that includes books by Cervantes!

One thing that she mentioned in her talk (and is also in the podcast about research) is how she would discover serendipitous facts that influenced her writing. These things happened so frequently that she came to expect them.

My friend Molly Dwyer spoke about this same phenomenon at the most recent meeting of my writers club.

Rob Koslowsky's write up of Molly's talk included this:

One technique (Molly) employs is to find a historical legend to resolve problems in developing the narrative and “make the writing work.” Solutions to problems will appear as you write, especially if you believe in meaningful coincidence – synchronicity. “Allow coincidences to inform your writing,” she insists, and “as you open up your writing, an upwelling of the collective consciousness occurs.” She gave an example of researching Sainte Geneviève, the patron saint of Paris, and discovering that January 3rd is her feast day and that is the date of her lead character's death. It was a significance she could not plan, but worked perfectly for her story's needs.

In fact, that kind of synchronicity is how I discovered Saint Namphaise. There was a hermit used in Ariosto's Orlando Furioso that was not given a name. During the writing of my adaptation, I felt uncomfortable having a character on the page for so long without a name. I decided to find a name for him and went to an online Catholic directory of saints hoping to find something with some symbolic significance.

After plugging in the term "hermit" in the search function for saints I was surprised to find there were over 500 listed. I started reading them in alphabetical order and thought finding a name would only take a few minutes. That is until I realized they had brief biographies I kept reading. And reading.

Some would call it procrastination, but I could not just settle on a name without searching for the "perfect one." Then I came across the listing for Saint Namphaise.

Today is also Saint Namphaise's feast day so I am frantically trying to finish this blog post while it is still November 12th.

According to legend, this obscure saint was once a soldier serving Charlemagne before dedicating his life to serving God. I am trying my level best to rescue this saint from obscurity and would like to re-post some of my favorite pictures associated with Saint Namphaise in honor of his feast day.

First is the marker denoting the site where he once helped build a monastery.



Here is my favorite photo taken during our trip to France which shows the mystical waters of the Gouffre de Lantouy near Cajarc.

Gouffre de Lantouy

This is the first real vision we had of the abbey in ruins showing arches and more than just a pile of rocks.

I hope that others will join me in celebrating this largely forgotten hermit saint associated with Charlemagne.

And for my medievalist readers, I wanted to mention that there is a contest to win chain mail by Orbit Books to promote the release of the book The Company by K.J. Parker. The contest ends on the morning of November 24th, so enter today. Hat tip to Andrew Wheeler.

There is also a post about a successful book launch for Geri Westerson's Veil of Lies which included two men in armor from Imperial Knights of Norco, California performing a bit of swordplay. I like that kind of creative ideas for book promotions.

Lastly, I wanted to point out that this is my 100th blog post and is nearing the second anniversary of when I started this literary blog.

I know many bloggers update far more frequently than I do, but I have chosen the path of having more substance to my posts over frequency. For those interested in following my blog I hope you will take advantage of the RSS feeds to be alerted for updates.

Cheers to Saint Namphaise - my favorite obscure French saint.

Sir Salman Rushdie....and me

Salman Rushdie took time out from his book tour promoting his latest novel The Enchantress of Florence to be knighted by Queen Elizabeth II yesterday.

He is now officially Sir Salman Rushdie.

But last week when I met him, he was just Mister Salman Rushdie. It was also his 61st birthday.

My friend Cindy Pavlinac accompanied me to the reading at the wonderful independent bookstore Book Passage in Corte Madera, California. The place was packed. By the time that we arrived the author event was just starting and they were singing "Happy Birthday" to him. Not only were all the chairs taken, but people were standing in the doorway. I had to ease my way inside and sit on the floor in the aisle.



I had started reading the novel before that night, but have not yet finished it. Some things you just do not want to rush.

The reason I was so interested in reading this novel and seeing him in person was because the story was inspired by the same epic poems which I am basing my novels upon: Orlando Innamorato and Orlando Furioso.

I have various Google alerts set to various key word terms that are of interest to me and a few months ago I started getting links to book reviews of The Last Enchantress of Florence which mentioned that Rushdie's novel was inspired Orlando Furioso and the character of Angelica.

Rushdie read a passage of his novel which detailed the meeting of Angelica and Argalia along with some bawdy references to tattoos of tulips on a man's body.

:ahem:

Suffice it to say that some of the inked petals went from a wilted state to full bloom.

As I sat there listening to him read, I found myself inwardly astounded since he was describing Angelica and Argalia as lovers whereas the poets Boiardo and Ariosto had them as siblings. Angelica was a virgin until she fell in love with Medoro, so there was not any incest between Angelica and Argalia implied by the poets.

Rushdie does not have them related, so he does not imply incest either. I just found his twist in these characters' relationships to be interesting.

The question and answer period was filled with people asking questions about India as well as U.S. and world politics. Little was asked about the craft of writing or of this book in particular.

As soon as he finished speaking a large number of people stood up and filed out the door. It appeared that many people came merely to see a celebrity in person. I hope they at least bought a book or a cup of coffee beforehand to help support the bookstore.

There was still a large queue of people who waited for their books to be signed and I dutifully waited at the end. Or at least I tried to be at the end. Because I wanted the opportunity to talk with him and thought it would be easiest at that point.

I started off telling him that in all the reviews I had read of this novel that they seemed only to mention Orlando Furioso but not its predecessor Orlando Innamorato which from his reading made it appear that his story would have been more likely to have influenced by.

(Argalia is killed early on in Orlando Innamorato and his only mentions in Orlando Furioso are done posthumously).

He smiled and said that both poems are listed in his bibliography.

I then mentioned that as a woman I did not care much for the character of Angelica, but I found myself drawn to the characters of Bradamante and Marfisa. It was then that he knew without a doubt that I was a fan of the poems.

We had a brief conversation at that point where he told me that he had wanted to write a story about a woman from India coming to Renaissance Italy. It was after he began writing that he realized that it had been done centuries before.

He then said something about women in armor (in reply to my stated preference to the women warriors Bradamante and Marfisa), but at about that point, I was ushered to the side by the store manager because there were a few more people with books to sign. One was a man with an armload of books to sign.

I think he was trying to stock up on autographed books to donate to silent auction fundraisers far into the future. Either that or he is a highly generous gift giver.


Neither Cindy nor I had a proper camera with us that night, (grumble) so here is the best that my camera phone could produce of me and Mr. Rushdie.


As of yesterday, it is officially Sir Rushdie which means I stood next to a knight.

Judy Moody, Megan McDonald and being “famous”

A few years ago my son came home from school and wanted us to buy him a book he had heard read aloud in school. Thus we were introduced to Judy Moody and the fabulous children’s author Megan McDonald.

Here’s a small taste of the first book in this best selling children’s series:

Chapter 1 A Bad Mood

Judy Moody did not want to give up summer. She did not feel like brushing her hair every day. She did not feel like memorizing spelling words. And she did not want to sit next to Frank Pearl, who ate paste, in class.

Judy Moody was in a mood.

Not a good mood. A bad mood. A mad-face mood. Even the smell of her new Grouchy pencils could not get her out of bed.

I have to say that I was hooked by that introduction. This was a girl with attitude.

It was when we finished the book and I recognized the name of the ice cream parlor in the story that I realized Megan McDonald was a local author. She had to be because Screamin' Mimi's is in our county.

Oh and their ice cream is killer. Especially Mimi’s Mud which has chocolate, almonds, and fudge in coffee flavored ice cream. Yumm.

Once I knew Megan McDonald was local, I did some digging and became disappointed when I realized she had spoken at the Sonoma County Book Festival only a month before. I had been there at a booth for my writers club, and my husband and son had stopped by to have lunch with me that day. If only my husband had taken him to see the children's authors, he could have discovered her books then.

That feeling of missing out on something great was compounded when she did a book signing at Screamin’ Mimi’s while we were on vacation in Oregon. One of my son’s favorite authors lives locally, but we kept missing out on seeing her in person.

Until this past weekend.

Last Saturday she was reading from her latest book Hen Hears Gossip

at a nearby bookstore.

My son is a little old for picture books, but he wanted to pick up the latest in the Stink Moody books, which is a spin off line of books featuring Judy's little brother given the nickname of "Stink."

We arrived a few minutes before she was scheduled to start and my son picked out several books including another new children’s series that he had discovered at school: The Diary of a Wimpy Kid.

We sat down in the first row of chairs. Megan had been talking with people from the bookstore and when they decided it was time to start -- my son was the only kid there.

She sat down on the floor in front of him and started talking to him. For about ten minutes, my son had her undivided attention. They talked about her books and other books he liked. He asked her about Sybil Ludington's ride that rivaled the famous one by Paul Revere that was featured in her book Judy Moody Declares Independence.

He loved the personalized attention, but it was not to last as other children came and sat down on the floor next to her. It was a lively conversation and she read from the Stink Guinea Pig book as well as Hen Hears Gossip.

Here is my son with one of his favorite authors.

The very next day we went to a farmers market and wound up having our picture being taken as we were tasting chocolate from around the world. This morning our picture appeared in the local paper.

In my son’s eyes, he is now famous.

In large part that deals with Judy Moody again, for the book Judy Moody Gets Famous, Judy wanted desperately to get into the paper. She did, but barely.

Her elbow appeared in a picture in the newspaper, thus making her elbow "famous."

Ah, but on page B1, his face and name appeared for all to see this morning. He even cut it out the article to bring to school to make sure everyone knew he was famous.

At least he is not infamous.