Interview with Professor Awesome: Annotated

I had a rollicking good time talking with Professor Richard Scott Nokes over Skype on December 8th, 2018.

After finishing the interview, I realized that I had forgotten to bring up a few things I wanted to mention. I gave a lot of advice on the writing process and thought hyperlinks might be helpful for those interested in following up on them.

One aspect of the interview that makes this a little out of the ordinary was the time spent getting the tech stuff working.  We spent over half an hour trying to get the Skype application to record. After several failed attempts, Professor Nokes got it working. He started to record, but I didn't see the banner at the top indicating it was recording. I didn't want us to begin talking in earnest and have to start all over again.

I mention this because that mistake on my part is the first half minute of the video. After we stopped talking Professor Nokes spent about an hour editing the raw footage and uploaded the unedited raw footage. D'oh!

What you really missed was the cool introductory musical theme song that precedes his interviews. To get you in the proper mood, here is the music you should hear before his interviews:

 

And here is a re-posting of the interview with time stamps of my annotations.

At 2:04 I mention that my series is based on the legends of Charlemagne that were told and retold in the south of France and north of Italy for several centuries. For those interested in learning more, Fordham University has a website dedicated to those legends.

2:55 I mention one of the most famous contributions to the legends of Charlemagne, The Song of Roland or La Chanson de Roland. Here is a link to Fordham University's online translation and a link to Amazon.com's trade paperback version.

3:50 I show my copies of Barbara Reynolds' translations of Orlando furioso. Here are links to those copies on Amazon.com Part One and Part Two.  Those books are my preferred version of this epic poem. They are in verse and there is a lot of white space, so I find it easier to read. Guido Waldman has a one volume version, and it is written in prose. I find it difficult to read because the font is so small, and there is little white space. Here is a link to his version on Amazon.com

A free online version by Project Gutenberg can be found at this link. A fair bit of warning though. This is the William Stewart Rose translation. I started reading this epic poem by printing out a few cantos of this version and found it utterly confusing. Later, once I read the versions by both Reynolds and Waldman, I went back and checked a few choice passages. Rose refused to translate some of the bawdier ones. Bummer.

(As a side note: I do not recommend the latest translation of Orlando furioso by David R. Slavitt. That is because his publisher heavily abridged his work and deleted numerous cantos that cover the Bradamante and Ruggiero story. I disagree with the editorial decision to cut my favorite storyline from the poem, and so I cannot recommend that version. )

5:50 Professor Awesome asks me to define Saracen. Here is a link to one online definition from the Online Etymology Dictionary.

I use Saracen in my title as one of the magic terms that helps to conjure the genre, time period and meaning of the novel in as few words as possible. Fate is reminiscent of the Oracle of Delphi and those in Greek mythology trying to change their destinies. Saracen is a term that went out of use after the Medieval period. Knight is also a Medieval term used in regard to war and chivalry.

Together the three terms should help readers know this is an epic historic fantasy set in the Medieval period.

8:50 I show my copy of Orlando innamorato by Matteo Maria Boiardo, translated by Charles Stanley Ross. This is the full unabridged version by Parlor Press. Here is a link to Amazon.com's trade paperpack.

Warning: there is a previous edition by Ross that was abridged and did not include Book III of Boiardo's tale. Bradamante and Ruggiero meet in Book III, Canto iv. I was disappointed after finishing that abridged version to realize that it did not include the scene that I most wanted to read.

10:00 Discussion about fantasy elements in realistic settings.  I realize in retrospect, I didn't really answer Professor Awesome's questions about this aspect of my story.

I agree that it is difficult to strike a balance between fantasy and realism. I am retelling a story about a war that never took place between the North African Muslim army and Charlemagne's Frankish army. My goal was to make the setting feel like Medieval Europe (and North Africa) that would include historically accurate details about Roman artifacts, cultural beliefs, religious restrictions, etc. And then, there is magic, but few have the ability to cast magical spells. They are: Atallah, Melissa, and Maugis. Aistulf was given a magical book which has allowed him to cast some spells, but he is not a wizard.

For the most part, the characters live in a realistic and non-magical world, but there are times when flights of fancy come into play. The flights of the hippogriff is the most notable.

Orlando furioso included iconic visits to the Underworld and the flight to the moon by Aistulf. I had to include them, but I wanted more realism in the storyline to at least help me to "buy the premise." I feel that if I can't buy it, I can't sell it.

22:15  I mentioned writing a Master's Thesis. For anyone interested in it, here's a link to Sonoma State University's library copy of The Cultural Evolution of the Cave Man.

And here is a link to the Fifth year Harry Potter Fic that I wrote back in 2003.  It won the Readers' Choice Award for novel length story on the now defunct website Portkey.org

24:30 Question about how to begin becoming a writer.

25:15 My answer: find a writers group or club. I mentioned the California Writers Club.  My branch of that statewide organization is Redwood Writers.

Here are links to other writers groups that focus on genre fiction:
Romance Writers of America. 
Sisters in Crime.
Historical Novel Society.
Science Fiction and Fantasy Writers of America


27:00  I mentioned the challenges of getting the Point of View or POV correct. To give a little more information here is one article about the differences in POV choices. Here is a link to an article about POV violations.

And here is where my annotation, really takes off. There are many other aspects of the craft of writing that I learned over the years from belonging to my writers club. My branch has had workshops about various topic as well as talks at our monthly meetings or sessions in writers conferences. Each one of these topics is worthy of extensive blog posts or entire books.

Here are two books that I recommend:

David Corbett's book: The Art of Character 
Jordan E. Rosenfeld's book Make a Scene

Other topics that perhaps I should try to expand on as topics in the future include:

Compelling dialogue
Pacing
Plotting
Establishing setting


***One thing that I meant to bring up in my discussion with Professor Awesome, but forgot are the sheets of paper affixed with blue painters tape to the wall behind me. Those are the months of June, July, August and September of the year 802. That was one way for me to determine when different plot events took place.

The calendar was found at www.timeanddate.com This also includes the phases of the moon.  I include that information in my story. If there's a mention of a full moon, I'm not making it up. And, if I have my characters do something outdoors at night and I don't want a full moon's worth of light - I will make it rain or overcast or foggy.

Using a calendar to structure your underlying plot will give backbone to your story. I recommend all writers have a beginning day and year in mind. Then establish your timeline of events accordingly to that date. It will help you to avoid continuity errors.

I had a friend whose manuscript I read as a critique group partner. Her novel had the climax of her story being on the Thanksgiving holiday. The problem was that she had not been as careful in planning the events as she should have been and she had two Wednesdays worth of chapters. There was a line where she stated it was Wednesday, but I knew it wasn't. That's because I ground myself on the days of the week and other nitpicky details. I then gave suggestions as to how she could move certain events to still make her climactic events happen on the day she wanted.

The use of a calendar to determine the dates of plot points is something I recommend every writer use.  

The calendars on my office wall are hard to see, but the events in the months of July and August
are written in pencil, because those already took place in Quest of the Warrior Maiden. Fate of the Saracen Knight takes place in the months of July and August. The different color Post-It notes represent different character POVs that are being represented in chapters or are background information for me to know who was where and doing what on that day. For example: blue is for Bradamante, dark orange is for Ruggiero, yellow is either Renaud or Aistulf, light orange is for Rodomont or Akramont.

I tend to write one action/adventure sequence before switching to a different character's action/adventure sequence. Later, to balance the work I will shuffle the chapters together. To achieve balance, I may have to switch the days of different plot points. Having those plot points on color coded Post-It notes helps me visually re-organize and balance my storyline.

Once I start working on Volume III, I will update those calendars and create new months. ***

 32:30 I couldn't remember the name of this website that is accessible to all writers wherever you are: Absolute Write online website. There is also Absolute Write Chat and forums.

Wattpad is another global forum for writers and readers.

So if you live in a rural area and/or cannot find any writers groups in your local area you can try one of those two online websites. Go schmooze, find like minded people and engage with them.

38:30 I recommended the book Audition: Everything an Actor Needs to Know to Get the Part by Michael Shurtleff. Oops. There are twelve guideposts for actors, I misspoke and said ten. Humor is Guidepost 4. Here is a small excerpt to demonstrate why I adore Shurtleff's book and his advice.

"Humor is not jokes. It is that attitude toward being alive without which you would long ago have jumped off the Fifty-ninth Street Bridge.

Humor is not being funny. It is the coin of exchange between human beings that makes it possible for us to get through the day. Humor exists even in the humorless.

There is humor in every scene, just as there is in every situation in life. There is humor in Chekhov (too seldom found) and even in Eugene O'Neill (virtually never found). When we say about a life situation, "And it's not funny, either," we are attempting to inject humor into a situation that lacks it. We try in life to put humor everywhere; if we didn't, we couldn't bear to live." - page 53

So yes, as writers, we need humor in our writing. Even if the only humor in a scene is gallows humor.

44:30 There was a mention of Medieval Conferences. I twice attended the International Congress on Medieval Studies at Western Michigan University in Kalamazoo, Michigan. I delivered papers about Carolingian legends and Ariosto. I will be delivering another paper in May 2019 in a session organized by the Société Rencesvals. My paper is titled "To Die For: Duels by knights in Orlando innamorato and Orlando furioso over swords, horses, heraldic symbols, and women."

I delivered the paper "Orlando furioso's archetypes and the twisting of expected plot conventions" at the 15th Triennial Congress of the International Courtly Literature Society in 2016. 
Here is the website for the International Courtly Literature Society North American Branch and to Academia.edu if you are interested in seeing my paper.


( I should at some point finish writing citations of the two papers I delivered at Kalamazoo and upload them to Academia.edu. One of my papers, "Ludovico Ariosto’s Legacy: Inspiring Countless Artists, Playwrights, Novelists, Filmmakers, and Puppet Theater" was filled with images and the challenge I have is finding good online sources for those images and then go through the cumbersome process of MLA citation. That shows my work ethic that I don't want to publish a paper online without my citations being in order. That will probably wait until some rainy day when I am procrastinating from doing other writing.)


I think that's all for now.

Here's a reminder that the both Quest of the Warrior Maiden and Fate of the Saracen Knight are discounted in the month of December. If you know someone who loves reading and would like to fill their physical or digital bookshelves, please send them the gift of reading. Or give yourself a gift and be transported back to the time of Charlemagne.

Cheers,

Linda
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Forged in Grace by Jordan Rosenfeld

"Jordan E. Rosenfeld’s  luminous, edgy debut is dark, searingly-written, and ultimately redemptive. Forged in Grace startled me at every breathtaking turn." - Patry Francis, author of The Liar's Diary

My friend Jordan Rosenfeld's debut novel Forged in Grace publication date is February 28th.

Here is a description:

Grace Jensen survived a horrific fire at age 15. The flames changed her: badly scarred in body and mind, Grace developed an ability to feel other people’s pain. Unable to bear human touch, she has made a small life for herself in Northern California, living with her hoarder mother, tending wounded animals, and falling a little in love with her former doctor. Her safe world explodes when the magnetic Marly Kennet reappears in town; Grace falls right back into the dynamic of their complicated friendship. Marly is the holder of many secrets, including one that has haunted Grace for over a decade: what really happened the night of the fire?

When Marly exhorts Grace to join her in Las Vegas, to make up for the years they have been lost to each other, Grace takes a leap of faith and goes. Although Marly is not entirely honest about her intentions, neither woman anticipates that enlarging Grace’s world will magnify her ability to sense the suffering of others—or that she will begin to heal wounds by swallowing her own pain and laying her hands on the afflicted. This gift soon turns darker when the truth of Marly’s life—and the real reason she ended her friendship with Grace—pushes the boundaries of loyalty and exposes both women to danger.

FORGED IN GRACE gives a new twist to the idea of reuniting with an old flame—literally. Exploring ruptured female friendships as in Leah Stewart’s The Myth of You and Me with the dark psychology (and twist of the inexplicable) found in Donna Tartt’s The Secret History, FORGED IN GRACE will resonate with anyone who has wanted to set the past right.

To help build momentum for the release date, Jordan is highlighting the work of some of her literary friends and offering free copies of their work through daily literary trivia questions.

Today an electronic copy of my novel Quest of the Warrior Maiden will be given away to the first person who correctly answers the trivia question posted on her blog.  She also has a Facebook author page you can "like" and a link will appear there as well.


Jordan had been an influential part of the Sonoma County literary scene when I first met her. She had created a literary salon in Petaluma as well as a literary radio program on our local National Public Radio station. 

She has moved out of Sonoma County, but her influence is still felt here. Last night an interview with Jordan about her forthcoming novel was aired on KRCB Radio by Gil Mansergh, the new host of "Word by Word." It will be available in a few days as a downloadable podcast from the station's website and through iTunes. (I will add a link once that is put online.)

Jordan has written many articles that have appeared in such publications as Writer's Digest Magazine including a cover story interview with New York Times best selling author Tess Gerritsen. She has several nonfiction books on writing including the wonderful Make a Scene: crafting a powerful story one scene at a time published by Writers Digest Books.

She has returned several times to our county to be a speaker at Redwood Writers meetings and workshops. Here is a photo of her from the 2009 Winter Editing Workshops where she discussed the importance of writing powerful scenes.

Jordan has not only done her own writing, but is a successful freelance editor. I am one of her many satisfied clients in that regard.

One more thing I wanted to mention is that Jordan also teaches online writing classes with lessons and assignments to bring out the best in your writing.  She has a Revise for Publication class starting February 18th. So if your New Year's Resolution was to shape up your NaNoWriMo manuscript into something publishable - consider this as Opportunity Knocking on your front door.

I wish Jordan well in the launch of her novel.  Bonne chance mon ami!

Edited to add links to her book that is now available.

Kindle
Trade paperback on Amazon
Nook
Smashwords




http://lcmccabe.blogspot.com/2013/02/forged-in-grace-by-jordan-rosenfeld.html

Sonoma Squares Murder Mystery - Coming Soon!

I will be a part of a literary experiment. One of the members in my writers club, Robert Digitale, is a reporter with the Santa Rosa Press Democrat. Robert has created a murder mystery to be published online with sixteen different writers. I am honored to say that he invited me to participate in this fun endeavor.

Robert wrote the overview and gave us direction as to what he wanted covered in our assigned chapters, and then he served as the air traffic controller/editor in assuring that the storyline was as seamless as possible.

The story will be available online starting Monday, April 23rd and can be found here. There is one last chapter that has yet to be written and is still up for grabs. Details of how you can apply to write that installment will be posted online this Thursday.

You can find a lineup of the different participating authors here.

Check it out and you can even "Like" the Sonoma Squares Murder Mystery page on Facebook.

I hope you enjoy the story and my small contribution. I found it difficult to try and cover as much ground as Robert wanted in as small of a word limit as he gave. Going from epic historic fantasy with room to elaborate on settings, characterizations, etc. to writing a distilled essence of a scene was challenging.

Should anyone here wish to join the mystery, I wish you the best of luck getting chosen and have fun in the writing if you are!

Linda



http://lcmccabe.blogspot.com/2012/04/sonoma-squares-murder-mystery-coming.html

Upcoming conferences

The next three months are going to be busy for me as I will be at three different conferences.

The first chronologically is the Women's Power and Strategy Conference organized by my friend Patricia V. Davis and being held on Saturday, March 24 from 9-5 pm at the San Domenico School in San Anselmo, California. I will be a vendor at this conference that is billed as "a gathering of leaders from diverse backgrounds and areas of expertise who are joining forces to educate and inspire women of all ages to believe and invest in their own talent, skills, and potential.

Speakers include keynote Malissa Feruzzi Shriver, California Arts Council Chair, Founder - Feruzzi Fine Art, Evan Bailyn, Erika Bjune, Christine Bronstein, Nancy Calef, Zoe Fitzgerald Carter, Marisa Churchill, Kaye Cloutman, Deborah Cooper, Verna Dreisbach, Deborah Grabien, Dr. Tamarah McClintock Greenberg, Jeb Harrison, Laura McHale-Holland, Joe Klocek, Dena Kouremetis, Vicki Larson, Linda Lee, Frances Lefkowitz, Monique Lessan, Ivory Madison, Gil Mansergh, Amanda McTigue, Hyla Molander, Kimberly Moore, Justin Oliver, Kim Pipkin, Laurie Berry, Rebecca Rosenberg, Jeannette Sears, Ransom Stephens, Alex Vargas, Niko Volonakis, Jody Weiner, Susanna Solomon, and Mimi Towle.

All registrations of adults at the regular rate of $100 will include a gift registration for a girl. More information and to register for the conference can be found here.

I will be a presenter at my writers club upcoming conference on Saturday, April 28th at the Santa Rosa Junior College in Santa Rosa, California. It is Redwood Writers Next Step Conference where writers are encouraged to take their "next step."

I will be moderating the luncheon panel of four industry experts: Mark Coker founder of Smashwords, Charlotte Cook principal of Adapting Sideways, Joel Friedlander proprietor of Marin Bookworks, and Laurie McLean literary agent with Larsen-Pomada Literary Agents. We will be discussing the rapid changes in the publishing industry in the 21st century and how writers can use those changes to their advantage.

The morning keynote address will be done by the marvelously talented David Corbett.

A description of the talks given by the following presenters can be found here.

Abby Lynn Bogomolny

Catherine Brady

Frances Caballo

Robert Digitale

Verna Dreisbach

Kate Farrell

Jody Gehrman

C.W. Gortner

Deborah Grabien

Suzanne Lang

Rob Loughran

Pete Masterson

Arlene Miller

Kemble Scott

Jeane Slone

Geri Spieler

Lee Stein

A special newsletter created for the conference can be found here.

There is also a banquet the night before the conference with the focus on poetry including the keynote speaker Al Young, California Poet Laureate Emeritus.

The deadline to register for the conference and the poetry night is April 13th!

And lastly, I will be presenting a paper "Deconstructing Carolingian legends to discover feminine archetypes and symbolism" at the biennial national conference of the Association for the Study of Women and Mythology being held in San Francisco from May 11-12. For more information about that conference, please see their website here.

http://lcmccabe.blogspot.com/2012/03/upcoming-conferences.html

Upcoming literary events in Sonoma County

November promises to be a busy month for me. I decided to take the plunge and participate in NaNoWriMo, which for those who haven't heard of this before is short for National Novel Writing Month. A fast and furious thirty days where the goal is to write 50,000 words. Quality is not the underlying goal, but instead it is quantity. Why? This is to encourage writers to silence their inner critic which can make you stop and re-read every sentence as soon as it is written.

That need to self-edit needs to be restrained so that your creative side can have free rein and possibly come up with something wonderful.

It will be less likely to happen if you spend an hour agonizing over the position of commas and debating whether or not the word "that" belongs in a specific sentence. Honestly, I have been there and I know how insane that type of editing can be on one's psyche.

I have an advantage of many of the NaNoWriMo participants because the sequel to my novel Quest of the Warrior Maid is outlined in great detail. I just have not allowed myself to start writing it in earnest because I have been trying to market my first novel. So I have a plot and a detailed one at that. I just have to start putting my thoughts down in the first draft format.

Beyond NaNoWriMo, I will be reading from my novel in the Odd Month Reading sponsored by Redwood Writers at the Windsor Public Library.

The theme will be:

Rain! Here it Comes!
Ready or Not!

Details:
SATURDAY, November 12 , 2011
1:00 – 3:00 PM
Windsor Library
9291 Old Redwood Hwy.
Windsor, California

I plan on reading from a chapter where the leader of the Islamic forces is planning an attack on the fortified city of Paris and the weather promises a terrible thunderstorm that evening.

The next day, Sunday, November 13th my writers' club monthly general meeting will be held from 2:30-5 at the Flamingo Hotel in Santa Rosa. Our guest speaker will be Terri Farley, author of the well known Phantom Stallion series. Her topic will be "Writing a Series isn't Child's Play."

Then on Monday, November 14th I signed up to participate in the Dine with Local Authors event at Gaia's Garden, 1899 Mendocino Avenue, Santa Rosa at 6 pm. Seven local authors will be reading from our work after eating dinner with friends and fans of the local literary community.

Hopefully, between those events and Thanksgiving I shall get somewhat close to "winning" NaNoWriMo by composing 50K words.

Wish me luck, and for those who live in Northern California, please stop by at some of these events if you can.

http://lcmccabe.blogspot.com/2011/10/upcoming-literary-events-in-sonoma.html

Sonoma County Book Festival

This past weekend was the twelfth annual Sonoma County Book Festival. It has grown to eight different venues and stages for readings and panel discussions, as well as four different areas for the over ninety vendors.

Amazing.

Here is Fourth Street in Downtown Santa Rosa which was closed off this year to traffic to accommodate the event.


My writers club had two separate tables, one for membership and another for advertising our various programs and upcoming events. Redwood Writers has become so vibrant and popular that it sponsored four other tables for our members to showcase their books on a rotating basis. Each table had two authors on two hour shifts, so a total of thirty-two members had an opportunity to sell their books as a benefit of belonging to our club without having to pay an exhibitors fee.

That was a great opportunity and one that I utilized. I was also scheduled to read from my novel Quest of the Warrior Maid. To help put myself in a festive mood, I decided to wear a period costume.

My outfit may not be accurate ninth century apparel, but I have limited sewing skills. Many people complimented me on my dress, so if nothing else - I stood out from the crowd by dressing Medievalish.

With my friend Kate Farrell.

Here I am with Teresa LeYung Ryan

Ana Manwaring organized the Redwood Writers Village Stage with twelve different groups who each had multiple readers. That is a lot of organizing. Our podium was created by her husband. It is a hollowed out redwood stump and we were in front of a grove of redwood trees. How fitting for Redwood Writers.

Ana Manwaring introducing me.

I am reading a scene from Quest of the Warrior Maid.

Ana requested that I read a "spicy" scene from my book, so for those who have a copy of my book - it was chapter 28 - a scene on Alcina's island.

It was fun and I had several people tell me later in the day that they enjoyed the enthusiasm I showed in my presentation.

Here is a close up of my jewelry. Yes that's a sword pendant I am wearing as well as Occitan crosses for earrings.

After I read, I introduced another club member's new work.

Robbi Sommers Bryant reads from her new novel The Beautiful Evil.

Our writing club's vice-president Jeane Slone has created a wonderful program for Sonoma County authors with independent coffee shops. There are now eighteen coffee shops selling over seventy titles by forty-seven Sonoma County authors. The coffee shops love it because their customers get to browse while they are waiting for their lattes, and the owners do not have to do anything with the books. Jeane visits them regularly to rotate and refill titles. Here she is talking with two festival goers about the program.

Here is a picture of the list of coffee shops in the program.

And here is an easier to read list of the independent coffee shops who are carrying local Sonoma County authors' books:

Apple Box Coffee shop: 224 B St., Petaluma
The Barking Dog Roasters: 18133 Sonoma Hwy., Sonoma
The Barking Dog Roasters (II): 201 W. Napa St., Sonoma
The Bean Affair: 1270 Healdsburg Ave, #101, Healdsburg
Bungalow Coffee and Tea: near Molsberry Market, Larksfield
Café de Croissants: 6580 Oakmont Dr., Oakmont
Café Noto: 630 McClelland Dr., Windsor
Community Café: 875 West Napa St., Sonoma
The Dry Creek Store: 3495 Dry Creek Road, Healdsburg
Golden Bean: 101Golf Course Dr., Suite A3, Rohnert Park
Gypsey Café: 162 N. Main St., Sebastopol
Kenwood Farmhouse Gift shop: 9255 Sonoma Hwy., Kenwood
Local Folkal: 117 N. Cloverdale Blvd., Cloverdale
Midtown Café: 1422 4th St.. Santa Rosa
Muffin Street Baking: 52 Mission Circle, Santa Rosa (McDonald/Mission shopping center)
Off the Track Coffee shop: 6544 Front Street, Forestville
Pearson & Co. Expresso & Catering/McCoy's Cookware: 2759 4th St., Santa Rosa (Near Farmer's Lane, next to Safeway)

Jeane told me that my book is currently at The Bean Affair, Café Noto, and the Bungalow. There were a few others, but she rotates the stock so that the coffee shop regulars will have different titles to browse.

It's hard to see with the shadow, but Jeane is holding up a copy of my book.

Jeane had a great day talking with festival goers, selling a few books and seven more authors expressed interest in having their work entered into the program.

Here I am at my half of the table with my books, book marks, and post cards. I also have an artist's drawing of the Guédelon project to help set the mood. I also set out an Occitan flag that I purchased on my last trip to France.

The bright yellow cross on a field of red is used throughout the Midi-Pyrenees region and even appears on their license plates. It was a symbol of the counts of Toulouse and now represents a regional pride. The design may not date back to the time of Charlemagne, but it is associated with the area where my heroine Bradamante is from and therefore I like it.

Besides the colors are vivid and eye catching. I also found it and my costume to be conversational ice breakers.


Here are some more pictures from that glorious autumn day.

Schmoozing with my friends Pat Morin and Barbara Truax.

Barbara Truax and Catharine Bramkamp checking out Carol McConkie's new book Fat Girl Fairy Boy.

Goofing around with Cindy Pavlinac.

Hanging with "Fear the Beard" SF Giants fan Roger Harris.

And my table was graced with the Cindy Pavlinac's famous road tripping pooch Merlin.

All in all it was a glorious day. The weather was perfect this year. Now, I need to order more authors' copies of my book as I am down to my last copy.

Video of OMF and an opportunity to hear me read

I should have mentioned this earlier, but I will be reading a chapter from my novel Quest of the Warrior Maid tomorrow at the Sonoma County Book Festival. I will be reading at 10:45 in the morning at the Redwood Writers Stage.

Ana Manwaring is organizing our stage and asked me to select a short passage that was "spicy." So you are forewarned about the content and please don't bring small children with along with you to hear me read.

For those who have already have a copy of my novel, I chose Chapter 28 a scene on Alcina's island.

Redwood Writers is also sponsoring four different tables for our members to sell their books in two hour shifts. So if you are at the festival, stop by say hello and then pass on by later and meet more of our members. My shift is from 2-4 in the afternoon. Look for the red flag with the bright yellow Occitan cross on it. (The symbol of the Counts of Toulouse.) I bought that flag as a souvenir from my latest trip to France which I promise to blog more about in the future and share more pictures.

I also wanted to share with you a video that was posted on Youtube about the Ozark Medieval Fortress. I love that project!

Diva Dare Tour in the Wine Country

This post is a test case using my iPad and trying to upload pictures with this portable device. Hopefully the formatting will look similar to posts created on my home computer.

Last week my friend Patricia V. Davis appeared at Copperfield's Book Store in Santa Rosa to promote her new book The Diva Doctrine

Here we see Patricia with her husband Pete at a table filled with luscious treats for the attendees.



Her book came about due to a blog post she wrote that went viral. Her "From an Older Woman to a Younger Woman" post was reposted onto hundreds of websites and translated to foreign languages as well. The Diva Doctrine expands upon those principles that struck such a nerve with wit and wisdom.

Patricia introduces Linda Loveland Reid and Kate Farrell who gave a humorous reading of advice from Older Women to Other Older Women.




The audience loved it. Thankfully it was captured by a videocamera and will hopefully be uploaded to Youtube in the future.

http://lcmccabe.blogspot.com/2011/06/diva-dare-tour-in-wine-country.html

In Memory of Edward F. Dolan

Edward Francis Dolan, Jr.
February 10, 1924 - August 12, 2010

Over the years I have met many writers. Some work on their craft for years before achieving any publishing success. Some are published, but continue to work "day jobs" and dream of one day being able to work full time as a writer.

And then there was Ed Dolan.

He lived an extraordinary life. His first paid publication was an article when he was only sixteen years old. After serving as an infantryman in World War II, he returned home to California with a bride from England.

Edward and Rose Dolan

Ed wrote articles, short stories, and was an editor of a magazine for awhile. He wrote and performed approximately 800 television programs in San Francisco. His character named "Buckskin Dan" was popular in the 1950s.



Ed was chairman of the Speech Department at Monticello College in Illinois for awhile, and later taught English at Golden Gate University and at a private high school. He also was an award winning reporter for the Novato Advance newspaper.

In 1958, his first book was published, but not before tragedy had struck. A fire had destroyed the manuscript he had worked on for two years. He had to re-write the entire book from scratch.

Ed found his true calling in writing Hi-Lo juvenile books. High interest, low vocabulary books for reluctant readers. It soon occupied all his time and he had to give up teaching.

In the span of about fifty years, Ed Dolan had 120 books published.

One hundred and twenty books.

Five of them were published this last September. It was a series about careers in the military. Each branch had their own volume.

Ed was known as a 9-to-5 workman. If you wanted it, he would write it. He wrote nonfiction that encompassed a wide range of topics: sports biographies; biographies on historical figures; historical events; books on controversial topics such as capital punishment, child abuse, animal rights, drugs in sports, privacy rights, pollution, etc.

He wrote mostly for children, but he also wrote a book for adults titled: Legal Action: A layman's guide. He did his research by attending open court sessions and interviewing lawyers. This was around the same time that Nolo Press started providing legal guides for the general public.

Ed had been a member of Redwood Writers for nearly thirty-five years. He had served as our president twice and was a friend and mentor to many. He had been in great demand as a speaker at writers club meetings and conferences. He was asked back again and again, because he was knowledgeable, personable and a great entertainer.

He also kept meticulous records. He has notes, contracts and original manuscripts of all of his books. In one of his scrapbooks was this story:

The Kite and the Butterfly

a kite flew far up into the clouds.
it played with the wind.
it looked at the sun.

the kite saw a butterfly far below.
look at me, said the kite, see how high I am.
I can see far far away.
maybe I can fly to the sun.
don't you wish you were a kite,
then you could fly to the sun.

oh no, said the butterfly
I do not fly very high
but I go where I please.
you fly very high
but you are tied to a string.

Edward F. Dolan
1931, age 7

I am amazed at talent like that at such a tender age. It is easy for me to see why he spent his life as a writer. He simply had no choice.

Later in life Ed even wrote a book on kite flying.




He was also quoted in a news article about his career as a writer having said, "the desire to fly free is natural." The theme of the kite and the butterfly lasted throughout his life.


Ed Dolan passed away on August 12, 2010 at the age of 86. He had a hearty laugh and a warm presence. I am a richer person for having known him and for having him as a friend.

Linda

http://lcmccabe.blogspot.com/2010/08/in-memory-of-edward-f-dolan.html

Video from Redwood Writers 2009 Conference

Hello everyone,

It has been a long time since I last posted to my blog. I have been busy and to demonstrate this, I will share with you the fruits of my labor.

I finally discovered how to make a video and upload it to Youtube. I figured that since there are millions of videos on that site that I should also be able to accomplish this task as well.

Last fall my writers club held a writers conference in Santa Rosa, California.

I was fortunate to introduce our keynote speaker Tamim Ansary. He is a well respected writer in the San Francisco Bay Area, a bestselling author, and an endearing speaker.

I loved his books West of Kabul, East of New York and Destiny Disrupted: A History of the World through Islamic Eyes. They are profound and insightful and told in a readily accessible manner.

For those wondering what I look or sound like, you can watch me in action as I introduce Tamim Ansary.



Due to time limitations on Youtube, I broke his talk into four parts.

Part I



Part II



Part III



And Part IV

Setting, Scenes and Book Signings

Jean Hegland

I have mentioned before on this blog how much I enjoy belonging to a writers club. It is the process of interacting with others who share my obsession with the written word that inspires the creative flame within me.

This past weekend my club sponsored the second of three editing workshops and had its monthly meeting.

So I saw writing friends and colleagues on both Saturday and Sunday. On the drive home Sunday night I felt euphoric.

Things had gone fabulously and I had some incredible new insights that will inform my future writing and that I wanted to share with my blog readers.

Jean Hegland, author of Into the Forest, led a workshop regarding the importance of setting. She began with the situation of a person waking up from a coma and that the first thing they would ask is, "Where am I?"

That is the question that a writer needs to answer when they begin a story or a scene so that the reader will know whether it is day or night, what season, what year, whether it is indoors or outdoors and where this scene takes place geographically. Because each choice has an impact on the overall story.

Setting gives a story verisimilitude when it takes readers to a place they have not been before or if it is to a place in which they are familiar. It is vitally important to get the details right for if you choose a real location and say you put a grocery store on the wrong side of the road, those who know the area will complain.

Jean then gave an example of how important it is choosing settings for individual scenes and how by playing with your choices you can change the tone and meaning of a scene.

She referenced Jordan Rosenfeld's earlier workshop about scenes and Jordan's insistence that a scene not be comprised of "talking heads in space" and that each scene involve some action. Then Jean gave an example of an action such as a couple having sex where the setting chosen would reveal character.

The actions by the characters could be written the same, but depending on the setting the meaning and the tone of the scene would be different.

The following were the three different settings she used to illustrate her point:

1) a cemetery (ewwww)
2) a bedroom
3) a boardroom

During that discussion I could not help but blurt out my "ewwww" comment in the class, which led to a nice round of laughter from the group. Camaraderie among writers is a wonderful thing.

Jordan Rosenfeld

Now onto the subject of scenes which was Jordan Rosenfeld's topic. She described scenes as the building blocks of a story similar to beads on a wire. Meaning that each scene needs to be complete in and of itself and it is the stringing together of the scenes that create the overall story.

Each scene should be comprised of:

action
character
POV (point of view) in which the scene is communicated
new information revealed
conflict and drama
and it must take place in a tangible setting

In other words: No talking heads in space!

She also stressed that not only is the first scene in your book important to hook your readers, but that as each character of any relevance is introduced that you must take the time to recognize that this is their first scene. Writers must reveal something compelling about each important new character without resorting to a data dump summary.

Jordan feels that it is better to give such information via dialogue and action than by summary. Ye olde "show don't tell" maxim.

She described dramatic tension as a sense of danger, complexity, mystery and a sense of discovery. Each scene should have some dramatic tension. She also stressed the need for variety in the style of scenes so that there are peaks and valleys in the tempo or else the reader will become either fatigued or bored.

Plot is created in relationship to the scenes. She gave a list of 4 D's for plot revelation that each scene must include at least one of these:

Dialogue
Discovery
Demonstration (such as a flash of unexpected anger)
Devices - e.g. letters or memorabilia

She described a well balanced scene as one where the reader is:

not confused
knows the setting
knows the characters
there is tension and drama

The time to change a scene is denote a break with time, place or POV. That can be done with a full chapter break or by using a blank space within a chapter to signify the change.

For those interested in knowing more about Jordan's thoughts on scenes, you can buy her excellent book Make a Scene

by Writers Digest Books at your local bookstore or available online.

Then on Sunday at the monthly meeting of my writers club we had Stephanie Deignan the events coordinator of Copperfield's Books come and speak.

Stephanie Deignan

For several years now I had wanted to schedule a speaker who could give the bookstore's point of view in regard to author appearances. I had approached two other events coordinators in the past to give such a talk, but they declined. So I was excited when last summer I spoke with Stephanie on the phone and she accepted.

I wanted our members to know how to go about getting an event scheduled, what to expect in regard to publicizing from the bookstore, and what their responsibilities are in order to have a successful event.

Stephanie started by saying that we should all be aware that bookstores are understaffed and underpaid and so when you approach a bookseller in the hopes of arranging a signing, you need to be understanding and patient. The information that you need is to discover the name of the events coordinator, their phone number and email address. Do not bother the harried bookseller with the information about you or your book as it will probably get lost in the shuffle.

In your initial contact via phone (most likely a voice mail message) and email you should include your name, your contact information, the title of your book, the publisher information, give a brief synopsis about what the book is about, any publicity information such as radio interviews scheduled, any published reviews, as well as book distribution information. Mention if it is carried by Ingram, Baker and Taylor or a smaller independent publishing distributor or if it is a POD title (print on demand) which would necessitate being on consignment.

Then be patient and wait for a few days or so to hear back. Be professional and be willing to call back if necessary. Again, they are short staffed and bookstore employees are trying their best.

Stephanie at some point discussed the difficulty bookstores have with PODs titles because generally they are non-returnable. Bookstores will order POD titles for customers if it is paid at the time of ordering, but they do not want to be stuck with books they cannot return and might never be able to sell.

The different kinds of author events were described as "traditional author talks" where an author talks about their book, does a short reading, a question and answer session and then signs books versus "meet and greets" where a table is set up and an author can interact with customers in a more informal setting and talk one on one instead of to a group.

She said that for authors who are not yet established would find it easier to have a "meet and greet" scheduled than an "author talk." If for no other reason than it causes less havoc for booksellers since they do not have to rearrange the bookshelves in the store to make room for chairs for people who may or may not show up to the signing.

She admitted that the emphasis that bookstores give to publicizing their author events is tiered depending on the name recognition of the authors. Those who are big named authors are given "A list" treatment and more time is spent on trying to generate crowds. Then publicizing for "B list" and "C list" authors are by necessity given less time and energy. This comes back to the reality of being understaffed.

That means that a large onus of publicizing the events rests on the shoulders of authors. Once you have a scheduled event, you must do as much to publicize as you can by utilizing the old tried and true methods of fliers, posters, and postcards, as well as newer media such as online events calendars, keeping an up-to-date website with your events listings, and social media such as Facebook and blogs.

She also stressed the influence that radio interviews can have in making the events a success. If you should be lucky enough to score a radio interview with someone like Michael Krasny of KQED Radio - who has an audience known for being book buying fiends - be sure to let a bookstore know so that they can buy adequate stock. Recently an author returned for a signing and after having been interviewed on Krasny's show and he drew a significantly larger crowd than the had the year before with a previous title. The problem was that the publicist did not alert the store and there were not enough books on hand to meet demand.

Which is why authors should always carry at least a box of books with them to signings...just in case. You never know when a bookstore's order might not come through on time due to blizzards in the midwest or strikes by UPS, etc.

(A few side notes: if you are lucky enough to score a radio interview prior to a book signing, do not forget to mention your scheduled book store event including the date, time and location. That is what will bring people into the store and get their butts in the seats for your signing! And if you want to know more about what to expect with talk radio and radio interviews you can read an old post of mine on the subject of the Do's and Don'ts of Talk Radio.)

On the day of your event you should call the store early in the day to confirm, arrive early and check in with a bookseller. You should bring a sign up sheet for those who would like to be on your mailing list as well as fliers to any upcoming events such as workshops or conferences. You should also bring postcards with the cover of your book, business cards and even book marks with your website and blog addresses. Make it easy for people who are interested in you to follow your career.

Stephanie suggested an event drawing between five to ten people for small authors is doing good. She also said that if there is a ratio of 30%-50% of books sold to the number of attendees present than it is a successful signing.

During the discussion with our members, Persia Woolley mentioned another reason for authors to always be prepared. One time she went to a signing and the author never showed. The audience was getting restless and being a trooper - she offered to pitch in and give a talk about her book. The events coordinator was thrilled to have someone save the day and she had the opportunity to talk to an audience she otherwise would not have had.

Stephanie thought that was great of Persia to help out in that manner.

Persia then said that the favor wound up being returned by another author when she got lost trying to find a small venue. She arrived late after finally getting directions from someone at a gas station and discovered that another author had warmed up the crowd in the interim. (Another reason for authors to keep a box of books in the trunk of your car. You just never know when you will get a chance to sign and sell them!)

Stephanie was asked about timing of when to start trying to schedule events at bookstores and she thought that two months before publication would be a good time to start. Then on the other end is how long you have before the books start getting returned. That happens at about three months post publication for hardcovers and six months for everything else. So after about a year of publication unless your book has really taken off, it will be hard to interest a bookstore in doing an event.

Her last words of wisdom on the subject was to enjoy yourself and make it fun.

C.W. Gortner, An overnight literary sensation 13 years in the making

The Redwood Writers branch of the California Writers Club

I started this post a week ago, but have not had much chance to finish it due to visits from relatives and - ahem - home improvement projects.

On Sunday, December 7th my writers club was fortunate to have Christopher Gortner as our guest speaker. The title of his talk was: "Thirteen Years in the Making: C.W. Gortner's Personal Journey to Publication."

Before the meeting started I was chatting with Christopher and happened to mention an anecdote about one of the members of my club. As he heard her name, Christopher's eyes grew large.

"You know Persia Woolley?"

"Yes." I looked around the room, saw her and said, "and she's here today."

He told me how much he loves her book How to Write and Sell Historical Fiction and how he refers to it frequently during his writing process and that he has bought replacement copies of it over the years.

I beckoned Persia over and made introductions.

Persia Woolley and Christopher Gortner

Christopher is also a fan of her Guinevere trilogy and expressed regret that he did not have his copies with him to be signed.

Persia's books may be classified as out of print, but they continue to have an impact on readers and writers. Hopefully her trilogy will be reprinted for new audiences to discover and she should update the How-to book to incorporate the internet age and how to sift through information found by online searches.

Now onto the meat of Christopher's talk. He loves historical fiction. He loves reading it and writing it.

He has always wanted to be a novelist writing historical fiction, even when the market for the genre was considered to be "dead."

His first agent was from New York City and his first novel about Anne Boleyn made the publishing rounds. During the waiting period of hearing back from publishers, Christopher busied himself by writing another book. This one was on Juana of Castile also known as "Juana la Loca."

After his novel got some glowing rejection letters and the novel The Secret Diary of Anne Boleyn by Robin Maxwell was published it was suggested there would not be much interest in the market for another Anne Boleyn book at the time.

Disillusioned with New York, Christopher signed with a different agent, one who was from another part of the country.

She sent his book on Juana of Castile around, but did not have any better luck. The publishers liked his style and his voice, but no one was buying.

At one point she told him that the difficulty might be in his name. Because most buyers of historical fiction are women and it was thought that female book buyers preferred books about women written by women.

She suggested he adopt a pen name like Caryn Gortner. Or Catherine Gortner.

He did not want to do it.

For one thing, he would be hiding behind a persona and for another, how are you supposed to publicize your book if you are a man pretending to be a woman? Dress in drag to signings?

His agent was not amused.

He received one offer for his book on Juana, but there were some matters that needed to be agreed to before any contract could be signed.

The biggest sticking point concerned the ending.

They wanted it to be changed, because they wanted a happy ending.

Juana of Castile is an historical figure with a tragic life story and it is not in any form a Happily Ever After Ending.

Yet that is what this publisher wanted to have happen. They wanted this story to be a category romance with those genre expectations which are antithetical to the historical reality of the person depicted in the story.

His agent was pushing for him to accept the deal and make the changes.

Christopher was torn because he really wanted to be published and he had been through the publishing merry-go-round for several years at this point in time. He consulted a trusted friend and she told him that if he did what the publisher wanted that he would live to regret it.

He would be savaged by the critics for changing history and he might get steered into becoming a category romance author. He prefers writing about complicated historical figures with tragic fates. That is not the formula for category romance success.

Christopher declined to change the ending. His agent then dropped him from her list of clients.



He tried again with a third book, this time about Catherine de Medici. He signed with an agent at the Jean V. Nagar Literary Agency and once again he had a book making the rounds.

Christopher said that each book seemed to take about 2 1/2 years of submissions and received about 45-55 rejections. Many of the rejections described how much they loved his work, but mentioned all the difficulties in the marketplace, including the perception that historical fiction was a dying genre and the tremendous challenges in launching an unknown author in the genre.


During this time, his agent left the agency and wanted to take him with her. There were some contract unraveling that needed to be done, but he chose to stay with her rather than try to have his book "adopted" by another agent.

He decided at one point to chase writing trends and he spent countless hours in a book store studying the market. It was because of that experience that he wrote a short "thriller" set in the Tudor Court and with a male protagonist. Christopher said that he would not recommend anyone trying to follow trends because by the time you finish writing your book and if it makes the publishing rounds and gets picked up, you are talking a couple years from when you did your initial research. By that time, that trend may no longer be in vogue.

The situation with his third agent deteriorated and after a final round of submissions for his Tudor thriller, they parted ways.

For years he had been excited when he talked with his literary friends because he had an agent and his work was "making the rounds." He was anticipating good news. The years of repeated rejection had begun taking its toll on his psyche.

He avoided the literary community, because he did not want to admit he had given up.

He stopped writing for eight months and went through a period of depression, until his partner gave him a swift kick in the backside and instructed him to start writing again.

Christopher decided that his writing deserved an audience and if New York publishers could not find their way to publish his works, then he would himself. He started researching various POD publishers such as iUniverse and AuthorHouse when he met someone who was planning on starting a small publishing house. This guy knew of Christopher's writing reputation and offered to publish a book without charging him any fees.

He chose the short Tudor court thriller as his first test case. The Secret Lion was all set to print and he received a call saying that there was trouble with the cover. His name was giving them fits because of its length.

It was "the name thing" again.

Christopher asked them to try his initials of C.W. and see how it looked.

That worked.

And so, due to cover art considerations, he adopted the pen name of C.W. Gortner.

Using the strength of the internet and his own networking of friends and associates, he wound up selling around six thousand copies of The Secret Lion online.

He followed up that success by self publishing The Last Queen and had sold about a thousand copies of that title within a month when he received a phone call from Jennifer Weltz at the Jean V. Nagar Literary Agency. He had talked with her during the process of leaving the agency to follow his previous agent and she remembered him when she came across his name while looking at The Secret Lion at Amazon.com. She asked about his sales record as well as wanting to see his manuscripts. Christopher sent her everything she requested and signed with her, but he did not allow himself to get his hopes up.

He had been through this dance three times before.

Then in a few months, Jennifer called with good news. She had an offer, but other houses were considering the manuscript and she wanted to notify them that an offer was on the table. To everyone's surprise, the book ended up going into auction.

In the end, he had a two book deal for six figures with Ballantine.

Huzzah!

Christopher Gortner and Linda McCabe

The Last Queen is a wonderful book. I loved it.

I knew from the book trailer that Juana suffered a tragic fate, but I was unfamiliar with her life story and did not know how it would end.






Christopher has painted a vivid picture of how limits felt by women of the time and the motives of those surrounding her were predicated upon political power.

If you are looking for a Christmas present for someone who loves historical fiction, I heartily recommend C.W. Gortner's The Last Queen.

By the way, he has a great blog as well.