Showing posts with label Yanina Gotsulsky. Show all posts
Showing posts with label Yanina Gotsulsky. Show all posts

Saturday, March 1, 2008

2008 San Francisco Writers Conference

Last year I wrote a post about why anyone should go to a writers conference as well as my experiences having volunteered at the 2007 San Francisco Writers Conference.

I volunteered again this year, and had an even better time than before.

I carpooled down to The City (which is what San Francisco is called by people in the Bay Area - NOT Frisco or San Fran) with my friend Cindy Pavlinac. I have known Cindy for several years and she holds the same position on the board of directors for the Marin branch of the California Writers Club as I do on the Redwood Writers branch.

Cindy and I arrived early Friday morning wanting to hear Kemble Scott speak at the opening session. That was important because we wanted to introduce ourselves to him since he will be our guest speaker at a joint meeting for our two clubs in April. He had been a speaker at Litquake last fall with my friend Erika Mailman talking about their experiences as newly published authors.



His session was great and he gave several anecdotes demonstrating his business savvy. His book is entitled SoMa which is a nickname for the gritty South of Market Street neighborhood of San Francisco. He made Youtube videos of the areas in his novel helping to publicize his book.

One thing he did not plan on was being attacked by a local online critic who hates everyone. At first Scott was taken aback, but then he realized that it was great publicity. People were learning about his new book and it increased sales.

His book has gone on to become a San Francisco Chronicle bestseller. Not bad. Not bad at all.

He has many reviews listed on his website, but this one seems the most intriguing to me:


"I read the first page of SoMa and never put it down until I read the last page. Then my housemate took it from me and read it in a day. It flows through your hands like water, yet it shocks, awes, repulses, exposes trade secrets, and illuminates the deep motives for extreme behavior. I know people who are less real than these characters. I laughed out loud. Kemble Scott is one sick bastard."

— Joe Quirk, best-selling author of The Ultimate Rush and Sperm are from Men, Eggs are from Women.

I had a great time meeting and schmoozing with Kemble Scott. I think he's a great guy, even if Joe Quirk thinks he's "one sick bastard" from his novel. It was nice that Scott hung around the conference all three days, and not just there simply for his session and leaving afterward. I even was fortunate enough to go out to dinner with him, Yanina Gotsulsky and Ransom Stephens on Friday night. We had a great time laughing, telling tales, and enjoying each others company.

I haven't read Scott's book yet, but I shall make a point of doing so before his talk at our joint meeting.




At our arrival I ran into Bryce Holt and his brother Kyle. I had met Bryce the previous year and had corresponded with him a few times over the past year. It was nice to see him again and to hear about his progress to publication in the intervening time.

I was surprised when I looked up and saw someone who had been a member of my writers club, but had moved to Oregon. I was happy when I was able to immediately come up with his name. As it turns out it was his first writers conference and being greeted by an old friend at its onset helped set his mind at ease.

Here's a picture of me with J.S. McDaniel as well as the glamorous Yanina Gotsulsky.


On Saturday morning as I was on my way to the first session of the day I crossed paths with J.S. He was on his way downstairs to the lower conference rooms. I asked where he was going, and he told me the name of the session he was planning on attending. I shook my head and said, "No. You need to go hear about Pitchcraft. Trust me." Then I redirected him to attend the session by Katharine Sands of the Sarah Jane Freyman Agency. J.S. had paid to participate in the Speed Dating for Agents on Sunday morning, so I knew he needed to hear what Sands had to say.

He did thank me, by the way.

I knew J.S. from the Redwood Writers meetings, and for some reason he always reminded me of Ransom Stephens. Here's a picture of Ransom and I mugging for the camera.



Yes, Ransom and J.S. are both white guys with black hair, about the same height and around the same age, and are both writers. However, Ransom has a dry, acerbic wit which is far different than J.S.'s style of humor.

I wanted to introduce them to each other because if for no other reason than they are both friends of mine. I had forgotten that both used spirituality in their novels. (Then again, I have only talked with them about their writing and without reading their stories, so I have an excuse for not recognizing that commonality.)

They hit it off with each other and I am hoping they will develop a correspondence and their own friendship.

That leads me to what I feel is most important aspect of the conferences. It is not the workshops, but it is interacting with the people there: the speakers, the organizers, and the attendees. It is in exchanging of ideas and expertise about various aspects of the craft of writing and the business of publishing that allows you to expand your circle of literary friends.

One of the best summaries I have ever read of how best to schmooze with others at a writers conference was written by Beth Proudfoot the past chair of the East of Eden Writers Conference.

She urges everyone to embrace any and all lines at conferences as opportunities to speak with people, exchange business cards, and establish friendships with people who share your interest in writing.

In my volunteer duties I saw myself as a roving ambassador to help answer questions about what to expect at the conference as well as offering tips for blogs, websites, etc.

I worked the Editors Roundtable session on Saturday afternoon. There were about ten editors participating and each sat at their own table with nine seats for participants to ask them questions. Each person had two minutes.

The volunteers had two minute egg timers to enforce the two minute rule.

Two minutes is not a lot of time to pitch your book and have an editor form an informed opinion about your book that you have spent years agonizing over each fine detail. We did not want individuals to try and monopolize time with the editors and cause others at their table to be given the short shrift. Overall, I think it ran pretty smooth.

The volunteers were allowed to choose which table they preferred working at and I picked Ten Speed Press. That is because of my time spent as a bookseller at Barnes and Noble and my being impressed with not only their titles but their organization as a whole. They are one of the largest independent publishers which produces about 150 titles each year. (That tidbit is from their website.)

I was impressed with the writers who pitched to the editor from Ten Speed because I think for the most part, they understood what that house published. The pitches were succinct and well received. I was surprised when Jo Ann Deck actually took sample pages, book proposals, etc., from writers. In the past I have seen most agents or editors refrain from taking anything, but instead handing out their business card to those people whose projects interested them.

She left that night with an armload of information and had made connections with a lot of writers who had promising sounding books.

And they did it in under two minutes. Incredible.

I was given another task which was to serve as a greeter at breakfast. Basically I was there with another woman to assure that those walking in for the coffee and pastries were paid conference attendees and not just people staying at the hotel who wandered downstairs and thought, "hey, free food!"

We greeted the bleary-eyed writers who were in desperate need of caffeine. I tried reading the badges for the home towns of the attendees as they walked by and saw that they were from all over the country. I remember seeing Florida, Virginia, New York, Nevada, Michigan and Hawaii. The one that surprised me the most was Zita Weber, a writer from Australia. She crossed seventeen time zones (!) to attend that conference.

Now that is commitment to your career.

On Sunday morning I not only worked as a breakfast greeter, but I worked the Speed Dating for Agents session. I was stationed outside in the hallway and did my best to answer questions of those who standing in line waiting to go inside.

Here I am trying to calm their jittery nerves.


If you squint you can see the logo for the California Writers Club on my tote bag. Yes, I was a walking advertisement for my writers club.

The one piece of advice that I tried to impart most often was to not immediately launch into a pitch upon sitting down in front of the agent, but instead to take a moment and make eye contact and smile. Make a human connection first before you start talking.

I also warned about complaining about anything, especially about not getting the full amount of time (three minutes) should the person in front of you not get out of the chair when they were supposed to.

You do not want to be perceived as a Client From Hell.

Agents are looking for professionals whose writing excites them and are a pleasure to work with. They do not want temperamental primadonnas.

I had read an agent's blog a year ago where an anecdote was related about two different writers at a Speed Dating session. The first writer grumbled and complained that they only got two and a half minutes and not the full three minutes (meanwhile wasting valuable seconds while whining.) The second writer sat down, cast a knowing glance behind them at their predecessor and then said something like, "wow, that must have been fun."

The agent was so grateful that s/he was far more likely to ask for a partial from the second writer even if it was not a subject s/he is normally interested in. Because the second writer treated him/her as a human being and not a magical gatekeeper lacking feelings.

After the conference I saw a post on Nathan Bransford's blog and contacted Joe Ramelo who mentioned he had attended the conference in his reply. I wrote to him, and as it turns out, Joe was one of many people I spoke with while waiting in line. He felt that I was an "encouraging presence" who dispensed good advice.

Yay. It is nice to know that my objectives were achieved.

One of the high points of the conference was having the opportunity to meet and talk with Tess Gerritsen. She is an amazing author as well as a warm, engaging and witty person. She gave a fabulous key note address on Sunday afternoon in which she talked about the idea of storytelling as an organic process that is difficult to define or predict.

She has given lectures to physicians who want to become novelists and she says that many of them are astounded when for the first time in their life they are not successful. They all want to know the secret. As if there was a mathematical equation which can be described and used to allow them to simply plug variables into an algorithm and get the desired result.

It is not that easy.

She gave as an example two people who might have had the same experience. "Uncle Harry" who when he begins a story causes everyone to yawn and check their watches and "Aunt Maude" who can tell the same story and have people hang on her every word.

It is not necessarily the events that are important, but it is the telling of the tale.

I was also blessed by chatting with Tess on Saturday night about medicine, wine, archaeology, and California along with my friend Cindy Pavlinac. At one point Tess looked at the two of us and remarked with a little surprise about how open we were about expressing our opinions. She now lives in Maine and people there are reserved.

We kind of shrugged at that. Cindy and I are both Midwestern gals who now live in Northern California and we do not hesitate in speaking our minds. It is part of who we are.

Here I am standing next to the lovely and talented Tess Gerritsen. I think she must have leaned down a little, because she is statuesque, whereas I am decidedly not.



I want to thank my good friend Cindy Pavlinac for taking these pictures and allowing me to share them on my blog. (My camera was being used in Yosemite while I was in San Francisco.)

All in all, I had a wonderful time at the San Francisco Writers Conference. It was some of the best weather I have ever experienced in The City, and I got the chance to schmooze with a lot of people.

For those who are interested in hearing any of the sessions from the conference, they are available on CD as well as downloadable MP3 at VW tapes. You can also find sessions from other writers conferences including the famous Maui Writers Conference at the same site.




By the way, after I returned home from the conference I was checking my overstuffed email box. I opened my spam folder and quickly scanned the contents seeing multiple notices for my winning overseas lotteries that I never entered, confidential communiques from people requesting my assistance in transferring large amounts of money from Nigeria, offers to lengthen anatomical body parts that I lack, and advertisements for horribly spelled pharmaceuticals. It was after I hit "delete all messages" that I noticed the letters SFWC in one of the message lines.

Too late. I did not notice the name of the sender and it was gone. Forever.

So if anyone reading this post tried sending me an email after meeting me at conference, and I did not respond to you -- I apologize and request that you write to me again.

Thanks and I hope everyone muse is treating them well!

Linda

Friday, January 18, 2008

A plea for another writer friend of mine

The day after I posted about Yanina Gotsulsky's story The Speed of Life being a semi-finalist in the Amazon.com Breakthrough Novel Competition, I discovered another writer that I know has made the cut.

This time I am asking your help on behalf of Robert G. Evans who is a member of my local writers club. Here is the summary of his historical novel:

The Yokuts are under threat of invasion. A new disease cannot be stopped by
the antu doctors. The village elders determine that a spy must be sent to
discover the secrets of the Spanish, and Kiyu is chosen. "You must save the
People," the elders tell him. "Learn their magic, and turn it back against
them." First he must endure a sojourn to the glass mountain; then he is sent to
Mission San Juan Bautista.



The first chapter of his story The Sojourner can be found here.

The main contest page can be accessed here and from that point you can read and review other stories to your heart's content.

If you have ever wanted to get a sense of what agents and/or editors go through when it comes to reading a large slush pile full of submissions, here is your chance for some insight.

Simply go to the main page and click on a category you are interested in, browse the descriptions and pretend that you are an industry professional reading queries. The ones that sound intriguing are the ones you ask for partials. Read and review.

To enter a review you have to first be registered with Amazon.com and for that all you need is an email address and create your own password. Then scroll down the page of the contestant's page that has the description and click on the button saying "create your own review."

It is as simple as that.

You can spend an hour or two reading summaries and then reading partials. You might just learn something in the process that will help you in your own writing.

Linda

Wednesday, January 16, 2008

A request on behalf of a friend and...ethics in writing

Last night I received an email from a writing friend of mine. Yanina Gotsulsky wrote:

My novel, The Speed of Life has made it to the semi-finals at the Amazon Breakthrough novel contest. Now I NEED VOTES. Please read the opening chapter which they have posted (and I've attached for your convenience) and give me a vote. Also I'd appreciate your passing this along to anyone you know who wouldn't mind spending a couple of minutes writing shameless flatteries.

SYNOPSIS OF THE NOVEL:

Karen Zumoff, a Russian immigrant, once a successful playwright, is obsessed with Tolstoy. Particularly with his reasons for killing Anna Karenina. She turns to his journals for answers, and there discovers a voice that is helping her to deal with the suicide of her lover and the utter failure of her first novel. Gradually Tolstoy's voice not only becomes real to Karen, it becomes her chosen reality. She believes that she has gone to the 19th century to help the great master rewrite Anna Karenina and to keep its original ending, where Anna lives.


Amazon.com notified Yanina of her being a semi-finalists and suggested that she encourage friends and family to spread the word and write reviews for her entry and other entries as well.

You can read the first chapter of Yanina's story here (it is a quick download to your computer) the main contest page where all the entries are located can be found here.

Winning contests can help launch a writing career. Just ask David Skibbins whose first novel was published when he won a contest by St. Martin's Press.

I scanned the homepage for the Amazon.com contest and discovered that Yanina's story is classified as General Literature. Her story is listed on the fifteenth page of entries. If my math is correct, there are 420 semi-finalists in that category.

Feel free to browse through the various titles and read those which sound interesting if you have the time. It might help give you some sympathy to agents who wade through hundreds of submissions looking for something that grabs their interest.

The one title that intrigued me the most during my scanning was The Chocolate Armadillo. I have no idea what it is about, but I have this strange fondness for rodents with armor and I adore chocolate. The story might be lousy, but I am intrigued by the title.

So, please if you have time and are so inclined, stop by Amazon.com and download Yanina's story and post a review. The stories that have "the most thorough, thoughtful feedback" are the ones most likely be narrowed down to the top ten finalists.

This stage of the contest runs through March 2nd, and Amazon not only is awarding writers, but reviewers as well. "The three customers who provide the most high quality reviews will be qualified to win one of three customer prizes, including an Amazon kindle reader, $2000 in Amazon gift card value, and an HP photo printer."

Quantity and quality matter for that competition. If you've ever wanted to be a professional reviewer, you can use this as practice. You might also realize after reading a dozen or so why it is difficult for agents to provide personalized rejections.

--

Okay, now onto ethics. I read a lot of agent and author blogs. It seems I discover a new blog or two each day to add to my Google Reader. The other day I came across a mention of a brouhaha regarding accusations of plagiarism by romance author named Cassie Edwards.

I mostly read non-fiction whilst doing my never ending research, and so my knowledge of romance industry is limited. I had never heard of Cassie Edwards before, nor had I read any of her over 100 books published.

However, the story begins with this post from the site SmartBitchesTrashyBooks

So my friend Kate (not to be confused with HaikuKatie of Nebula Haiku fame) was in desperate need of new reading material recently, and since she’d never read any romance novels before, I decided to throw some at her to see what she thought, since she’s a Classicist and an SF/F geek. I gave her examples of what I thought were the best (Lord of Scoundrels by Loretta Chase), the most popular (Dark Lover by J.R. Ward) and the worst (Shadow Bear by Cassie Edwards) of the genre.

Shadow Bear introduced poor Kate to all-new levels of pain--she’d never encountered a book in which ellipses and exclamation marks were abused with quite that much abandon, or in which the characters spoke in Glossary with such distressing consistency. What especially caught her eye, however, were the didactic passages in the book. They were written in a distinctly different voice, and out of idle curiosity, she decided to Google certain phrases and sentences.


It was at that point that they discovered all kinds of eyebrow raising stuff.

The full story is chronicled in one massive PDF file that is now 51 pages in length.

One of the writers whose work was apparently lifted by Cassie Edwards was tipped off by the bloggers at SmartBitches and his response is now on Newsweek.com.

He never expected that an article he wrote about black-footed ferrets would be turned into stilted dialog in a romance novel.

I could spend hours pontificating on this issue, but I came across an entry on Dear Author that echoes most of my thoughts. So instead, I shall suggest those interested read those remarks in full.

I especially liked this passage:

Integrity connotes both wholeness and honor, two concepts that are fundamental to the whole notion of intellectual honesty and the violation that is plagiarism. The plagiarist conspires against his fellow writers to claim what they have created as his own, dishonoring his own work and the professional respect among those whose reputations as writers vest in their written work – be they writers of academic scholarship, fiction, poetry, drama, essays, etc. The plagiarist’s transgression exists on a material level (conversion of another’s work) and a philosophical level – a blow against the spirit of the general community of writers and readers.
I agree.

Incorporating historical facts in fiction is difficult, but the details should be woven into the narrative and not just words slightly rearranged from your research material.

If a work is in the public domain such as the works of Shakespeare, you can adapt them any way you choose. You can also publish them verbatim without permission of anyone. However, you cannot publish Hamlet and say that you wrote it.

It comes down to a question of personal integrity. The side by side comparisons of Cassie Edwards' writing to many different source materials is illuminating. A pattern quickly emerges that before the advent of modern computer and internet technology she would have propped books open in front of her and slightly rearrange wording to fit her needs. Now, all she has to do is cut and paste from browsers then shift words around.

I hope this case serves as an example for how not to write.

Linda